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After more than a year of waiting and worry, the San Francisco Opera (SFO) and San Francisco Symphony (SFS) are back to live, in-person performances. It only feels sudden because the pandemic has destroyed our sense of time.
Both organizations have been planning cautiously for the resumption of live concerts for months. SFO predicted live opera for spring back in February and, with customary ingenuity and ambition, is making good on the huge promise with big drive-in performances and outdoor simulcasts.
No carhops or window speakers, an FM signal mix is broadcast to each car, but no one will stop you from bringing your own popcorn. Whether you drive or have friends with a vehicle, a new production in English of Rossini s perennial favorite The Barber of Seville seems a fine choice for a happy return to business.
Anne Schrager May 3, 2021
Singer/songwriter Diana Gameros will be featured in the Exploratorium’s online bilingual Mother’s Day celebration. Photo: Claudio Nalerio, courtesy of the artist
Mother’s Day arrives Sunday, May 9, and there is no shortage of ways to spend quality time with family in honor of the occasion.
Local venues in San Francisco and beyond are preparing parklets and newly constructed performance areas to celebrate the season, as vaccination rates spark a slight relaxation of public health guidelines. Examples include District Six, a SOMA StrEat Food Park-curated outdoor food truck and entertainment area in the city, and Out Front at the UC Theatre in Berkeley, which features a street bar, casual outdoor dining and live music from 6:30-10 p.m., Thursdays-Saturdays. The Blue Note Napa is also set for a pivot to outdoor entertainment, with a robust live music series hosted at the Charles Krug Winery in St. Helena starting up later this month; and th
https://www.nytimes.com/2021/04/30/arts/music/san-francisco-opera-barber-seville.html
Philip Skinner as the hapless Dr. Bartolo in Rossini’s “The Barber of Seville,” San Francisco Opera’s return to performance after 16 months.Credit.Kelsey McClellan for The New York Times
Rossini at the Drive-In, as San Francisco Opera Returns
Honks instead of applause: An open-air “Barber of Seville” brought the company back after 16 months.
Philip Skinner as the hapless Dr. Bartolo in Rossini’s “The Barber of Seville,” San Francisco Opera’s return to performance after 16 months.Credit.Kelsey McClellan for The New York Times
April 30, 2021
SAN FRANCISCO It feels almost too good to be true after a pandemic closure of Wagnerian scale: an audience watching a cast of singers enter the War Memorial Opera House here to rehearse and perform Rossini’s classic comedy “The Barber of Seville.”
Note: schedule is displayed in Eastern Time
12:00 PM
COVENANT - By York Walker, directed by Tamilla Woodard, dramaturg: John Glore. When he returns home to his small Georgia town, rumors fly that blues guitarist Johnny Honeycomb James may have sold his soul to the devil to attain his musical genius. But in this twisty folk-horror drama, jealousy, distrust and superstition determine Honeycomb s fate-even if the devil does play a part. click here
City in Transition: The Quadrant Series - Every city has its stories. This innovative on-demand digital production from Theater Alliance weaves together tales from across Washington, DC - sharing histories, experiences, and issues from within the District s four quadrants. Directed by Raymond O. Caldwell and written by Khadijah Z. Ali-Coleman, Avery Collins, Shalom Omo-Osagie, and Leslie Scott-Jones, CITY IN TRANSITION provides a dynamic account of our nation s capital from artists who call the city their home. click here
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