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Record Time: New & Notable Vinyl Releases (July 2021) pastemagazine.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from pastemagazine.com Daily Mail and Mail on Sunday newspapers.
NPR Music's Turning the Tables is a project envisioned to challenge sexist and exclusionary conversations about musical greatness. Up until now we ....
THE ULTIMATE SINGER-SONGWRITER ALBUM, Blue by Joni Mitchell is 50 years young; MOJO discovers how love and loss shaped its genesis, and its genius. Also in the issue: The Black Keys on their blues heroes; The Troggs on wild times and Wild Thing; Noel Gallagher on why he doesn’t rate Wonderwall; Redskins’ soul-punk revolution remembered; the dawn of Big Star; and a definitive guide to the essential purchases of Record Store Day. Plus: Can, Roky Erickson, Sons Of Kemet, Northern Soul, Lucy Dacus, John Grant, Stiff Records, Talulah Gosh and much, much more. THIS MONTH’S COVERMOUNT CD is curated and compiled by The Black Keys, bringing together some of their favourite blues nuggets – by James Cotton, Mississippi Fred McDowell, RL Burnside, Jessie Mae Hemphill and more – plus tracks by the The Black Keys themselves. ....
Stewart Lee ’s celestial choices. Plus reanimated Brummies, maverick maestros and some fine fiddling A year pre-Covid, outside Islington’s Hope & Anchor on a summer evening to see mod punk classicists The Fallen Leaves, the board unexpectedly promises “support from Cult Figures”. Not the Birmingham band that made two singles in 1979 then disappeared? Yes! Released in 2018, The 166 Ploughs A Lonely Furrow was the album Cult Figures should have made in 1980, but 2021’s Deritend is a slick sixties-suffused punk pop set of Keith Moon tubthumping and Carnaby Street crooning. “Silver Blades” mythologises the titular ice rink of Midland memory. “Concrete And Glass” laments the textural changes of Cult Figures’ hometown in an affecting Brummie burr. ....
Damaged Goods Dec 30, 2020 By Dom Gourlay Web Exclusive Nearly a quarter of a century has passed since Heavenly last released a record, yet their legacy lives on through the back pages of riot grrl, indie pop, and lo-fi. Heavenly were formed in 1989 after the dissolution of Talulah Gosh, themselves one of the fore-bearers of a scene that became known as C86. Heavenly released eight singles and four albums over a seven-year period that saw them work with legendary imprints Sarah Records, K, and Wiiija. They were often labeled twee by sections of the music press, but that seemed somewhat unfair when listening to the likes of “Atta Girl” and “Space Manatee,” which undoubtedly paved the way for acts like Huggy Bear and Bikini Kill to briefly infiltrate then subvert the mainstream. ....