The watercolors that White produced during his yearlong voyage can be found in two sources: a collection of originals at the British Museum in London and the illustrated edition of Hariot’s A briefe and true report of the new found land of Virginia. Hariot’s illustrated report, published by Theodor de Bry in 1590, includes etchings based on White originals, some of which were later lost. Many more of White’s illustrations were destroyed when, as the colonists deserted Virginia, Drake’s sailors threw overboard a chest containing his work. White’s surviving illustrations provide a detailed account of Indian life informed by the artist’s European training and cultural expectations. Often posing his subjects in the Hapsburg style, White drew a warrior decorated in body paint and holding a bow, and a chief looking to his right and with one arm akimbo. White also captured Virginia Indian cultural activities, such as a couple sitting on a mat eating, a group of men and women seated around a fire, and four men illustrating the process of making a canoe. White’s unusual talent for rendering the appearance of Indians can be seen when his original drawings are compared with de Bry’s later etchings. In his illustration of Indians dancing in a circle around a series of posts, White records some of the Indians’ postures and gestures that struck him as unusual. When de Bry etched the same picture, he Europeanized Indian features and replaced the three Indians awkwardly grappling with each other in the center of the circle with the three graces of Greek mythology—the goddesses of joy, charm, and beauty.