Ever since The Invisible Man, the upper-class wife whose luxury real estate becomes an overbearing metaphor for her isolating marriage seems to have become a go-to set-up for indie filmmakers. Last year we had Swallow and The Nest, and this year that plot gets a straight-up genre treatment in Held. The perennially pained-looking Emma (Jill Awbrey, who also wrote the script) is clearly over her square-jawed husband Henry (Bart Johnson), but they’re giving it one more try by escaping to a secluded, automated smart house vacation rental. Naturally, the property’s version of Alexa has other plans—drugging them and forcing them into chivalrous machinations straight out of a 1950s marriage manual. Held doesn’t hold back, skimping on character development, rushing into the concept and mainly using the first act to set things up to pay off later. Basic druggy montages, a visually uninteresting set and an even more uninspired baddie sap