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Inside Museums

quite orientalist is that the people who are moving that boat, they're made to seem quite subservient. so the underlying idea is that the islamic peoples it depicts are seen as somehow being inferior. this othering by western artists can be insidious, and it often occurred unconsciously. the special collection at the pera museum allows us to trace the evolution of this world view, and i've been excited for a while about coming face—to—face with this sumptuous, pastel portrait which has been taken out of storage for me. it's by a wonderful 18th century swiss artist who i think deserves to be much better known, jean—etienne liotard. looking at it with me is pera museum curator, baris kibris. baris, i'm really happy that you could bring this out of the stores for us, because it's stunning. it's such a ravishing work of art. tell me a little bit about the artist. he was a swiss artist. he was one of the first masters of pastel painting in the 18th century.

People , Idea , Boat , Islamic , Peoples , Pera-museum , Inferior , Special-collection , Western-artists , Othering , Unconsciously , Artist

Inside Museums

high, classy advertisement for what he could do. this is an image which is projecting status, fashionability — the elite taste of the time. i mean, ok, cosplay may be not quite the art—historically appropriate term, but there's a sort of sense of dressing up that clearly, his clients, they wanted that. yeah, exactly. the beginnings of all of that fantastical side, if you like, of orientalism. i feel there's glimmerings of that here. so fundamentally, orientalism is about the west's imagined vision of the east, but the pera is also home to work by a fascinating artist, long considered a turkish orientalist — osman hamdi bey. his masterpiece is the tortoise trainer. but before we look at it, baris wants to show me something that brings the world depicted within the painting to life. so what have you got here? this is a vr headset. so i'm becoming osman hamdi bey for the day? kind of. you visit his studio. just put it on.

Islamic-art , Image , Sort , Sense , Clients , Cosplay , Status , Advertisement , Taste , Term , Fashionability-the-elite , Artist

Inside Museums

carefully put it on like that. and here are my hands. ok, that's really quite weird. this is amazing. so this is his studio. it's wonderful seeing the actual room. i can walk around, can i? you're going to tell me if i'm going to walk into a priceless work of art in a museum, right? oh, here's the painting. right. ah! i'm inside. i can hear some birds. there's a tortoise. ooh, look! pick up the lettuce leaf and then he can eat it. and at this high point in my career as an art critic... ..i think maybe i should come back into the real world. great. how are you? well, i'm completely disorientated, and that was a lot of fun. it certainly got me in the right zone for considering the painting, but without any lettuce props, perhaps. baris, this is a really imposing painting, which i think i'm right in saying comes from towards the end of osman hamdi's life, right? yes. yes, exactly.

Studio , Hands , Western-painting , Museum , Work-of-art , Tortoise , Birds , Room , Ooh , World , Art-critic , Lot

Inside Museums

ok, that's really quite weird. this is amazing. so this is his studio. it's wonderful seeing the actual room. i can walk around, can i? you're going to tell me if i'm going to walk into a priceless work of art in a museum, right? oh, here's the painting. right. ah! i'm inside. i can hear some birds. there's a tortoise. ooh, look! pick up the lettuce leaf and then he can eat it. and at this high point in my career as an art critic... ..i think maybe i should come back into the real world. great. how are you? well, i'm completely disorientated, and that was a lot of fun. it certainly got me in the right zone for considering the painting, but without any lettuce props, perhaps. baris, this is a really imposing painting, which i think i'm right in saying comes from towards the end of osman hamdi's life, right?

Western-painting , Museum , Studio , Work-of-art , Room , World , Art-critic , Lettuce-leaf , Tortoise , Birds , Career , High-point

Inside Museums

as somehow being inferior. this othering by western artists can be insidious, and it often occurred unconsciously. the special collection at the pera museum allows us to trace the evolution of this world view, and i've been excited for a while about coming face—to—face with this sumptuous, pastel portrait which has been taken out of storage for me. it's by a wonderful 18th century swiss artist who i think deserves to be much better known, jean—etienne liotard. looking at it with me is pera museum curator, baris kibris. baris, i'm really happy that you could bring this out of the stores for us, because it's stunning. it's such a ravishing work of art. tell me a little bit about the artist. he was a swiss artist. he was one of the first masters of pastel painting in the 18th century. he lived here in turkey for four years.

World-view , Special-collection , Western-artists , Pera-museum , Othering , Evolution , Inferior , Unconsciously , Artist , Portrait , Storage , Sumptuous

Inside Museums

the elite taste of the time. i mean, ok, cosplay may be not quite the art—historically appropriate term, but there's a sort of sense of dressing up that clearly, his clients, they wanted that. yeah, exactly. the beginnings of all of that fantastical side, if you like, of orientalism. i feel there's glimmerings of that here. so fundamentally, orientalism is about the west's imagined vision of the east, but the pera is also home to work by a fascinating artist, long considered a turkish orientalist — osman hamdi bey. his masterpiece is the tortoise trainer. but before we look at it, baris wants to show me something that brings the world depicted within the painting to life. so what have you got here? this is a vr headset. so i'm becoming osman hamdi bey for the day? kind of. you visit his studio. just put it on. carefully put it on like that. and here are my hands.

Sort , Art , Sense , Clients , Cosplay , Taste , Term , Artist , Exemplify-orientalism , All , Vision , West

Inside Museums

but without any lettuce props, perhaps. baris, this is a really imposing painting, which i think i'm right in saying comes from towards the end of osman hamdi's life, right? yes. yes, exactly. can you just tell me a bit more about the artist, because he's a really important figure here in turkey? yes, he was important because he did lots of things in arts and culture. he was a museologist and he was the head of the first art school. he was an archaeologist and he wanted to become a painter. i guess the big picture idea is that he actually travels to paris and he encounters painting there including, of course, orientalist painting by european artists, which inspires him. and when he returns to turkey, he starts to make his own version of orientalism. yes, we can say that even

Western-painting , Baris , Lettuce-props , Artist , Turkey , Life , Yes , Figure , Osman-hamdi-bey , Saying , Things , Arts

Inside Museums

baris kibris. baris, i'm really happy that you could bring this out of the stores for us, because its stunning. it's such a ravishing work of art. tell me a little bit about the artist. he was a swiss artist. he was one of the first masters of pastel painting in the 18th century. in fact, he lived here in turkey for four years. he starts dressing, right, in turkish costume? exactly. he grows a very long beard. i think he was even known as �the turk�. it was kind of a marketing, and it worked. he was enormously successful, wasn't he? he was. he painted lots of aristocrats in different cities of europe. there is a story that when he's in constantinople, there is a particular model, very beautiful, who catches his eye. he draws her in various poses. this is one picture which is made from one of those drawings, and then that's a sort of source for later on, when he returns to europe, and with various clients,

Artist , Baris , Work-of-art , Baris-kibris , Pastel-painting , Stores , Swiss-artist , Bit , Masters , 18th-century , Stunning , Fact

Inside Museums

baris wants to show me something that brings the world depicted within the painting to life. so what have you got here? this is a vr headset. so i'm becoming osman hamdi bey for the day? kind of. you visit his studio. just put it on. carefully put it on like that. and here are my hands. ok, that's really quite weird. this is amazing. so this is his studio. it's wonderful seeing the actual room. i can walk around, can i? you're going to tell me if i'm going to walk into a priceless work of art in a museum, right? oh, here's the painting. right. ah! i'm inside. i can hear some birds. there's a tortoise. ooh, look! pick up the lettuce leaf and then he can eat it. and at this high point in my career as an art critic... ..i think maybe i should come back into the real world. great. how are you? well, i'm completely disorientated, and that was a lot of fun. it certainly got me in the right zone for considering the painting,

Western-painting , Studio , World , Baris , Something , Life , Kind , Headset , Osman-hamdi-bey , Hands , Room , Museum

Inside Museums

who are moving that boat, they're made to seem quite subservient. so the underlying idea is that the islamic peoples it depicts are seen as somehow being inferior. this othering by western artists can be insidious, and it often occurred unconsciously. the special collection at the pera museum allows us to trace the evolution of this world view, and i've been excited for a while about coming face—to—face with this sumptuous, pastel portrait which has been taken out of storage for me. it's by a wonderful 18th century swiss artist who i think deserves to be much better known, jean—etienne liotard. looking at it with me is pera museum curator, baris kibris. baris, i'm really happy that you could bring this out of the stores for us, because its stunning. it's such a ravishing work of art. tell me a little bit about the artist. he was a swiss artist.

Idea , Boat , Islamic , Peoples , Western-artists , Othering , Inferior , World-view , Pera-museum , Special-collection , Portrait , Evolution