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Blue Bayou: An adopted immigrant's cruel fate - World Socialist Web Site

Chon’s film makes clear to all those with eyes and ears that the current anti-immigrant mania in official circles cuts across the most elementary needs and wants.

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Film Of The Week When home becomes hostile

MARIA DUARTE recommends a heart-wrenching drama, based on true stories, about a Korean adoptee in the US who has to fight to remain with his family in the country he calls home

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Blue Bayou review – painful drama about the US's answer to the Windrush scandal | Movies

Justin Chon’s fierce heartbreaker, written and starring himself, centres on a Korean-American whose family is threatened by racist government policy

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Blue Bayou Movie Review

Blue Bayou Movie Review
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FILM REVIEW: Blue Bayou - Georgia Asian Times

FILM REVIEW: Blue Bayou - Georgia Asian Times
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Review: Justin Chon and Alicia Vikander are triumphant in 'Blue Bayou,' a drama of immigration and identity

Review: Justin Chon and Alicia Vikander are triumphant in 'Blue Bayou,' a drama of immigration and identity
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'Blue Bayou' Film Review: Timely Immigration Story Slips From Lyrical to Overwrought

‘Blue Bayou’ Film Review: Justin Chon’s Timely Immigration Story Slips From Lyrical to Overwrought
Cannes 2021: The family drama tackles important U.S. policy issues but gets undercut by the melodrama
Steve Pond | July 13, 2021 @ 5:41 PM
Cannes Film Festival
AWARDS BEAT
From a distance, Justin Chon’s “Blue Bayou” seems to be a movie that would warrant comparison to Lee Isaac Chung’s Oscar-nominated “Minari” – the story of a young Korean man and his family struggling to get by in the U.S., and also to figure out his own identity in a land that sometimes feels like home and sometimes feels hostile.

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'Blue Bayou' Film Review: Justin Chon's Timely Immigration Story Slips From Lyrical to Overwrought

'Blue Bayou' Film Review: Justin Chon's Timely Immigration Story Slips From Lyrical to Overwrought
TheWrap
7 hrs ago
© TheWrap
Blue Bayou
From a distance, Justin Chon's "Blue Bayou" seems to be a movie that would warrant comparison to Lee Isaac Chung's Oscar-nominated "Minari" - the story of a young Korean man and his family struggling to get by in the U.S., and also to figure out his own identity in a land that sometimes feels like home and sometimes feels hostile.
But "Blue Bayou," which premiered on Tuesday in the Un Certain Regard section of the Cannes Film Festival, isn't a quiet, artful character study the way "Minari" was. It aims to be bigger and bolder and more dramatic, which too often translates into more melodramatic. At the same time, though, the melodrama can be effective at times, and there's an admirable urgency with which it tackles significant issues in U.S. immigration policy.

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