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ProMusica SpringFEST: Mahler 4

ProMusica SpringFEST: Mahler 4
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MusicalAmerica - MA's Free Guide to (Mostly) Free Streams, March 1-8


Verdi’s
La Traviata. Conductor: Giacomo Sagripanti, director: Simon Stone. With Pretty Yende, Juan Diego Flórez, Igor Golovatenko, and Margaret Plummer. Register for free and view here. LIVE
2 pm ET: London Symphony Orchestra presents
Rattle conducts Stravinsky. Sir Simon Rattle conducts the LSO in Stravinsky’s Octet for Wind Instruments,
Symphonies of Wind Instruments (1920),
Four Norwegian Moods, Suite No 1, and Suite No 2. View here.
2 pm ET: VOCES8 Live from London, Spring presents
Joanna MacGregor. To celebrate International Women’s Day, pianist Joanna MacGregor curates a journey from the Deep South to New York, from Russian poetry to an African paradise. The program includes Florence Price’s spiritual arrangements, Margaret Bond’s

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Vilalba retoma a programación cultural con 14 actos ata finais de abril

Vilalba retoma a programación cultural con 14 actos ata finais de abril
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MusicalAmerica - MA's Free Guide to (Mostly) Free Streams, Feb. 22-March 1


7 pm ET: Lawrence Brownlee presents
The Sitdown with LB. The tenor’s Facebook Live series returns with an unfiltered and honest look inside the opera industry. This week: Management, featuring Matthew Horner (IMG Artists) and Alex Fletcher (Fletcher Artist Management). View here. LIVE
** 7:30 pm ET: Met Opera Streams presents
Donizetti’s
Don Pasquale. Starring Beverly Sills, Alfredo Kraus, Håkan Hagegård, and Gabriel Bacquier, conducted by Nicola Rescigno. Production by John Dexter. From January 11, 1979. View here and for 24 hours.
7:30 pm ET: SalonEra presents
Jewish Diaspora. Recorder virtuoso Daphna Mor explores Sephardic song and Jewish liturgical poetry while viola da gamba player Elizabeth Weinfield highlights the contributions of 17th-century converso composer Leonora Duarte. Additional guests to be announced. View here.

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Τι αλλαγές έφερε στο επάγγελμα του μαέστρου η πανδημία;

Τι αλλαγές έφερε στο επάγγελμα του μαέστρου η πανδημία;
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Η 4η Συμφωνία του Μάλερ από την Κ.Ο.Θ.

Η 4η Συμφωνία του Μάλερ από την Κ.Ο.Θ.
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Adams: My Father Knew Charles Ives; Harmonielehre review – evocations of New England | Classical music


Last modified on Thu 21 Jan 2021 13.09 EST
Though the San Francisco Symphony brought it to London just a week after the premiere in 2003, My Father Knew Charles Ives has had few British performances since, and remains one of John Adams’s less well-known orchestral scores. It’s a substantial work – three movements lasting nearly half an hour – designed both as a homage to the two men mentioned in the title, and as an evocation of the New England in which they both lived and Adams himself grew up.
John Adams: My Father Knew Charles Ives; Harmonielehre album cover
His father didn’t actually meet Ives, but the composer thinks the two men might have had a lot in common – Ives’s father was a Connecticut bandmaster, and Adams’s own father played in a local regimental band, and both were inspired by the writings of the New England transcendentalists, especially Henry Thoreau. But it’s the impressionism of one of Ives’s best-known works, Three Pieces in New England, that seems to have been Adams’s musical model, though never quite toppling over into pastiche. The first movement, Concord, named after Adams’s home town in New Hampshire, unfolds a languorous trumpet solo over hazy strings and chirruping woodwind; the second, The Lake, a “summer nocturne” according to Adams, carries distant hints of a dance band, and the third, The Mountain, opens again with the solo trumpet, inevitably recalling Ives’s Unanswered Question.

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Az Erdélyi Miklós bérletben meghirdetett koncertet január14-én csütörtökön, 19 órától online közvetítik a Zeneakadémiáról

Az Erdélyi Miklós bérletben meghirdetett koncertet január14-én csütörtökön, 19 órától online közvetítik a Zeneakadémiáról
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