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Classical Music's Suicide Pact - American Renaissance amren.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from amren.com Daily Mail and Mail on Sunday newspapers.
Classical Music's Suicide Pact (Part 1) city-journal.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from city-journal.org Daily Mail and Mail on Sunday newspapers.
Morrow County 'Unstoppables' league for kids with disabilities continues to grow 10tv.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from 10tv.com Daily Mail and Mail on Sunday newspapers.
Colburn School Announces National Cohort Of Fortissima Fellows Ten high-school-age women of color will participate in an artistic and leadership development program to inspire, equip, and empower them for a future in classical music.by Alexa Criscitiello The Colburn School, a renowned performing arts school based in Los Angeles, today announced the first national cohort of its recently expanded Fortissima program. Housed under Colburn's Center for Innovation and Community Impact, Fortissima is an artistic and leadership development program for high school age young women from underrepresented minorities in classical music who demonstrate excellence on an orchestral instrument and have an interest in pursuing a career in music.
30:25 RefleXions Music Series, a project funded by the University of Arkansas Chancellor's Grant for the Humanities and Performing Arts Initiative, has partnered with KUAF 91.3 to produce the new RefleXions Podcast, which is co-hosted by Ozarks at Large's Antoinette Grajeda and U of A Music Professor Lia Uribe, who is also the host of the weekly Sound Perimeter segment on OAL. The second episode of the podcast features Imani Winds co-founders Monica Ellis and Toyin Spellman-Diaz who also joined the U of A this spring for a virtual residency. Tags:
According to the National Cancer Institute, nearly 13% of women in the United States will be diagnosed with cancer at some point in their lifetime, but one South Mississippi woman never thought she would be in that number.
Leading Athletes and Sports Influencers Join water4Her Campaign PLEDGE TO HELP RAISE AWARENESS AND FUNDS TO EMPOWER 100,000 WOMEN THROUGH CLEAN WATER ACCESS Published 03-08-21 Submitted by Global Environment & Technology Foundation (GETF) WASHINGTON, March 8, 2021 /CSRwire/ – To mark International Women’s Day, leading female athletes and influencers from the sporting world are lending their support to the cause of empowering 100,000 East African women through clean water access. water4Her, a collaboration of women for water™, a clean water and women’s empowerment action platform, and two-time Super Bowl winner Chris Long’s premier athlete-led initiative Waterboys, is bringing together a community of athletes, influencers, and donors to raise awareness and funding for clean water projects in four East African countries.
Bruits (Bright Shiny Things) "Imani is one of the seven principles of Kwanza, and it means 'faith,'" says clarinetist Mark Dover, who joined Imani Winds in 2016. "One of the greatest tenets to chamber music is faith and believing in the energy that exists between us when we're on stage, trusting each other, taking risks with each other." Founding flutist Valerie Coleman came up with the name for this quintet before she even formed the group more than two decades ago. Today, Imani Winds continues to bring an important voice to the world of classical music. Dover and bassoonist Monica Ellis share their experiences about their latest project, Bruits.
For These Classical Musicians, Itâs Always Been About Racial Equity The work now being taken up by large institutions has long been the purpose of many smaller ones. We spoke with seven of them. From left, Avery Boettcher, Olivia Johnson and Kaswanna Kanyinda in Michigan Opera Theaterâs âTwilight: Gods,â a production that engaged local artists in Detroit.Credit...Brittany Greeson for The New York Times Jan. 27, 2021 Last year was different. Black Lives Matter, in the national psyche for nearly a decade, crested with the killing of George Floyd and weeks of widespread demonstrations that could no longer be ignored â even by classical music. Orchestras and opera companies posted statements of solidarity, however platitudinous, denouncing racism and promising a more equitable future for an industry that has historically been led by white administrators and designed to maintain a status quo that gives white artists the advantage over their underrepresented peers.