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'Blue Velvet' star Isabella Rossellini denies David Lynch 'exploited' her for the film

Isabella Rossellini set the record straight about her role in David Lynch's controversial cult classic "Blue Velvet," denying she was ever "exploited" for the film.

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Isabella Rossellini corrects the record on Blue Velvet

"I was 31 or 32. I chose to play the character," Rossellini said of the controversial David Lynch film

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'The Cow' Director and Iranian Film Pioneer Dariush Mehrjui Murdered with His Wife — Reports

Iranian state media has reported that Mehrjui and his wife Vahideh Mohammadifar were killed in a stabbing attack after publicly bristling with the Iranian government over censorship of films.

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Iconic French New Wave director Jean-Luc Godard dead at 91

GENEVA (AP) — Jean-Luc Godard, the iconic “enfant terrible” of the French New Wave...

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Iconic French New Wave director Jean-Luc Godard dead at 91

GENEVA (AP) — Jean-Luc Godard, the ingenious “enfant terrible” of the French New...

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French media: Iconic director Jean-Luc Godard dead at 91

GENEVA (AP) — Jean-Luc Godard, the ingenious “enfant terrible” of the French New...

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'The Rossellinis' Review: An Outsider's Inside View of a Dysfunctional Celebrity Dynasty


'The Rossellinis' Review: An Outsider's Inside View of a Dysfunctional Celebrity Dynasty
'The Rossellinis' Review: An Outsider's Inside View of a Dysfunctional Celebrity Dynasty
Alessandro Rossellini, grandson of legendary auteur Roberto, attempts to gather his extended family for an indulgent but interesting exercise in documentary therapy.
Guy Lodge, provided by
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Director: Alessandro Rossellini
With: Alessandro Rossellini, Isabella Rossellini, Renzo Rossellini, Robin Rossellini, Ingrid Rossellini, Gil Rossellini, Nur Rossellini, Katherine Cohen, Elettra Wiedemann. (English, Italian, French dialogue)
Running time: Running time: 99 MIN.
Courtesy of B&B Film
“I think you have to go back to therapy. It wasn’t enough,” says Isabella Rossellini, drily and only somewhat jokingly, to her nephew Alessandro, as he interviews her on some hard family truths. The documentary he’s making

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Nomadland review: Chloé Zhao's triple Oscar winner is a film at war with itself


How ironic that the signature film for the Covid year(s) concerns a woman who, far from being locked in the living room, takes to the road and makes a costar of the United States’ broad western skies.
There is enormous warmth in Chloé Zhao’s adaptation of a nonfiction book by Jessica Bruder. Too much warmth for some. Nomadland sends the protagonist to work briefly for Amazon, but it takes no apparent stand on the retail giant’s employment practices. Playing out in the aftermath of the 2008 economic crash, the picture encounters no whispers of nascent Trumpism among the travelling disenfranchised.

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