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Indian leader ordered to stand trial on 12-year-old weapons charges

American Indian Movement leader Dennis Banks was ordered to stand trial early next year on 12-year-old weapons charges, and claimed he is the target of a...

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Tolowa Dee-ni' Nation Commemorates Historic AIM Protest by Screening 'From Wounded Knee to Standing Rock' Documentary

Tolowa Dee-ni' Nation Commemorates Historic AIM Protest by Screening 'From Wounded Knee to Standing Rock' Documentary
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Wounded-knee , South-dakota , United-states , Nebraska , American , Willard-carlson , Oglala-lakota , Emily-reed , Jessicac-andrews , Russell-means , Kevin-mckiernan , Dennis-banks

Chicano Artists Challenging History and Reclaiming Cultural Memory


May 6th, 2021, 11:00AM
/ BY
Claudia Zapata
Chicano artists used inventive graphic forms to offer new perspectives on key moments in national and global history
Rupert García,
Right On!, 1968, screenprint on paper (Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2020.42.3, © 1968, Rupert García)
In 1968, graphic artist Rupert García became a pivotal figure in the Third World Liberation Front, a coalition of Chicano, African American, Asian American, and Native students who held a major strike that year at San Francisco State College to demand ethnic studies programs and greater diversity in faculty and students.  In later years, the protest had a significant impact on higher education in the United States, as more students demanded ethnic studies and universities eventually responded with new academic departments and teaching positions. Ethnic studies programs marshalled interdisciplinary methodologies focused on Latinx, African American, Asian American, and Native cultures and often told American and global histories through the lens of U.S. colonialism and imperialism, perspectives rarely incorporated in historical texts at that time.  Several artists in 

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