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Chuck D teams with Stand Up To Cancer for new PSA

Chuck D teams with Stand Up To Cancer for new PSA
thegrio.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thegrio.com Daily Mail and Mail on Sunday newspapers.

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Tanisha C. Ford in conversation with Jamel Shabazz

Tuesday, March 30
7:00 p.m. EDT
Aperture and Rockefeller Center are pleased to host a discussion between esteemed photographer Jamel Shabazz and writer Tanisha C. Ford. Since the early 1980s, Shabazz has photographed New York’s street life and hip-hop culture with joy, verve, and style. His work not only captures the essence and pureness of hip-hop culture in New York, but also the deep connections he has with his subjects and community. For this event, Shabazz and Ford will discuss Shabazz’s career, his lasting legacy, how quarantine has given him time to rediscover hidden gems in his archive, and the installation of work at Rockefeller Center through April.

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Dwayne 'The Rock' Johnson chokes back tears as he accepts the HCA's Trailblazer Award

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'That video was amazing, it kicked me in the gut. I didn't expect it to,' he said, before admitting to feeling 'emotional.'
In addition to thanking the HCA, he spotlighted the 'people who have really done right' by him, even when he 'didn't have a place to live' as well as the friends who he has 'known and grown with.'
Trailblazer Award: Ahead of the 48-year-old actor superstar's acceptance speech, the virtual ceremony paid homage to his legendary career and extensive charity work
Reciting an 'old adage,' the Ballers star reminded listeners: 'People will never forget how you make them feel.'

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Jamel Shabazz | artnet

Biography
Jamel Shabazz is an African-American photographer known for his work in documenting urban life in New York City. Through analog film and digital photography, his work showcases the cultural vibrancy of the city’s black and brown communities, dismantling negative stereotypes of communities that are often painted as dangerous or decaying. “As a socially conscious photographer, I strive to create images that show reality, provoke thought, and at the same time contribute to a visual record of time and history,” he has said about his work. Shabazz was born in 1960 in Brooklyn, New York. Influenced by his father, who was a photographer in the Navy in the 1950s, he developed an interest in photography from a young age. At the age of 15, he started taking pictures, and then became more interested in photography when, after joining the military, he was stationed for three years in Germany. Upon his return, he used photography as a way to document the transformation of the community he had left as well as the relationships he was rebuilding with his peers. Over time, inspired by photographers like Leonard Freed, James Van Der Zee, and Gordon Parks, in the 1980s he started photographing other aspects of life in New York City, including street fashion, LGBTQ pride, emerging hip-hop culture, and social issues as a way to preserve history and culture. Shabazz has written multiple monographs and contributed to numerous photography books, with some of his photographs appearing in other forms of media such as the 2007 documentary

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WIN LOSE OR DRAW FOR AFRICAN/BLACK ART -

capital Newspaper
Just two years ago Zoma Museum founder, Meskerem Assegued, hosted a gathering of several well-regarded US gallerists, curators, institute directors and more. Amongst the group was African American Naomi Beckwith, Senior Curator for Museum of Contemporary Art Chicago (MOCA); now New York Guggenheim’s fresh pick as Deputy Director and Chief Curator. By the way she was the only Black person in the prestigious delegation of visiting participants at Zoma. For the record, connections between the Guggenheim and Ethiopian artists include the multi-million USD exhibition of Ethiopian born American, Julie Meheretu, and Zoma’s co-founder and ingenious artist, Elias Sime, recently nominated for the Guggenheim’s $100K 2020 Hugo Boss Prize. The Guggenheim is as big as it gets in the art world, thus Naomi’s appointment is an immense win and Black folks in the arts are proud, hopeful and tickled brown. Beckwith stated, “One cannot overstate the iconicity and consequence of the Guggenheim Museum-yet, refusing to rest on its laurels, it readily presents projects that disrupt art history’s mythologies. I’m excited to join the Guggenheim and its passionate team at a pivotal moment. I look forward to merging our shared goals of expanding the story of art, and also working to shape a new reality for arts and culture.”

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