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BERRY CAMPBELL PRESENTS RAYMOND HENDLER: RAYMOND BY RAYMOND (PAINTINGS 1957-1967) NEW YORK, New York Subject Line Please provide verification code RAYMOND HENDLER: RAYMOND BY RAYMOND (PAINTINGS 1957-1967) NEW YORK, NEW YORK, June 29, 2021âBerry Campbell is pleased to announce its fourth exhibition of paintings by Raymond Hendler (1923-1998). Raymond Hendler: Raymond by Raymond (Paintings 1957-1967) features paintings created between 1957 and 1967, a transitional period for Hendler in which the artist moved away from an Abstract Expressionist mode and employed a more stylized line, producing distinct shapes and symbols. The exhibition is accompanied by a 16-page catalogue with an essay written by Phyllis Braff.Â
I asked someone I had just met where he lived. âHome is wherever I am,â he answered. I thought this was a smug answer. Where do you go with that in a conversation? As a writer, I long ago embraced the subject of HOME. I have made a living photographing homes and interviewing homeowners on why they did this or that, and how their homes reflect their lifestyle and personalities. I feel happiest at home and am constantly tweaking and perfecting and often changing my home to reflect who I am at different stages of my life. Right now, Iâm into minimalizing without sacrificing character and the things that make it interesting.
BERRY CAMPBELL PRESENTS FRANK WIMBERLEY: COLLAGE NEW YORK, New York Subject Line Please provide verification code Email is invalid Frank Wimberley, Untitled (Collage), 1971, Newsprint, handmade paper, Color-aid and painted paper on Arches paper, 22 1/2 x 30 inches. Berry Campbell Gallery is pleased to announce a survey exhibition of collage works by Queens based, African American artist, Frank Wimberley (b. 1926). Since the 1960s, Wimberley has been known for creating dynamic, multi-layered, abstract paintings described in 2001 by New York Times art critic, Grace Glueck, as “. . . good to behold: beautifully brushed and infused with a light that magnifies their intensity. . ..” This special exhibition will feature both paintings with collage elements as well as traditional collage works on paper and will highlight some of Frank Wimberley’s most important collages to date, including several examples going back to the early 1970s.
Jane Hoelscher remembers her fifth-grade teacher in Michigan calling her dad a “baby killer” for being a Soldier in Vietnam in 1965-66. She remembers the protesters at the airport spitting