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>> sean: by the way, you are grading -- doing great. pete, i love that song and i love that guy and he says -- but i don't care. i think that song is resonating for a reason. >> big time. joey jones was the person who showed it to me. i thought, this is going to catch on. the first thing i thought, i thought of bob dylan's masters of war "in the '60s and creedence clearwater revival's" fortunate son." turns out we are the ones looking out for the working class. that believe that an honest day's hard work and innocent kids and actual freedom is an important thing. this has become an anthem. it will be an answer because people recognize the left has gone with the globalists, with the open borders. they don't care about everyday workers. it turns out old souls, we need
to go as crazy as you want to go. uncle charlie: i think that shirt's done. robbie: oh my gosh my shirt! steven: well, robbie you'll just have to wear your pants higher. patrick gomez: in the 60s, you see the sitcom move away from telling stories that are solely focussed on the nuclear, suburban family. jim colucci: divorce had become more prevalent in the 60s, it had become more part of normal american life, but it took a while for it to be reflected in sitcoms. ♪ the brady brunch. the brady brunch. ♪ ♪ that's the way we all became ... ♪ christopher knight: the brady bunch is the story of two separate families being glued together. lloyd schwartz: a man with three boys, a woman with three girls. the man was going to be a widower. the woman, divorced, but divorce was a taboo topic on television. so they said, let's just leave it so you don't know. [yelling] mike: what's all the yelling about, huh? bobby: she stole our ball. marcia: i'm just trying to find out what they did with my school awards.
uncle charlie: i think that shirt's done. robbie: oh my gosh my shirt! steven: well, robbie you'll just have to wear your pants higher. patrick gomez: in the 60s, you see the sitcom move away from telling stories that are solely focussed on the nuclear, suburban family. jim colucci: divorce had become more prevalent in the 60s, it had become more part of normal american life, but it took a while for it to be reflected in sitcoms. ♪ the brady brunch. the brady brunch. ♪ ♪ that's the way we all became ... ♪ christopher knight: the brady bunch is the story of two separate families being glued together. lloyd schwartz: a man with three boys, a woman with three girls. the man was going to be a widower. the woman, divorced, but divorce was a taboo topic on television. so they said, let's just leave it so you don't know. [yelling] mike: what's all the yelling about, huh? bobby: she stole our ball. marcia: i'm just trying to find out what they did with my school awards. lloyd schwartz: the brady bunch was an evolution from like leave it to beaver, it was shown from the kid's point of view.
patrick gomez: in the 60s, you see the sitcom move away from telling stories that are solely focussed on the nuclear, suburban family. jim colucci: divorce had become more prevalent in the 60s, it had become more part of normal american life, but it took a while for it to be reflected in sitcoms. ♪ the brady brunch. the brady brunch. ♪ ♪ that's the way we all became ... ♪ christopher knight: the brady bunch is the story of two separate families being glued together. lloyd schwartz: a man with three boys, a woman with three girls. the man was going to be a widower. the woman, divorced, but divorce was a taboo topic on television. so they said, let's just leave it so you don't know. [yelling] mike: what's all the yelling about, huh? bobby: she stole our ball. marcia: i'm just trying to find out what they did with my school awards. lloyd schwartz: the brady bunch was an evolution from like leave it to beaver, it was shown from the kid's point of view. cindy: will you lend me your skate key? bobby: i'm not lending you anything to a snitcher. eve plumb: it was all about what children are having problems with. their appearance, or their schoolwork or their friends.
really heavily on the interviews that i was doing. do you sort of fell into that? do personal favorite story yourself from your own experience or from something that you encountered in your came across? there is a happy marriage in studio one . is famous for classical because it has its huge studio and orchestra since he was a classical musician, in the 60s called jacqueline dupré. and she has quite a story. and when you watch the documentary kind of a side story, she's like, incredible to watch. like the footage of her saying she's really bombastic and jumps around and natural, amazing. and that she did really well from a documentary filmmaking point of view. of course, we know this is your directorial debut. >> right. any other plans to continue down that path? yes. definitely. i've definitely got the okay to use this space . >> well, we will be watching and want our viewers to know that you can catch these worlds
long—term proposals there, and that will be set out this week, and that is what the prime minister said. you can understand that she has been prime minister for less than 2a hours, and while we have been working on plans in the run—up, to this potential event, i think it's important that all of the tyres are kicked, as it were, to make sure that we have a robust energy proposal in order that it can be set out to help households and businesses, and details on that will be coming later this week. this is a political challenge for the labour party. a new prime minister, lots of positive headlines as the impression is given that it is a new government taking office although it is a continuation of the government that has been in office since 2010 and liz truss finds herself the equivalent of alex douglas hume, in the 60s, the fourth of and the conservative prime ministers, but she will be hoping to
spiders? >> tell him, honey. >> they go don. >> ing. >> reporter: in the 60s she hosted the tournament of roses parade and appeared on almost every game show you can think of, including "password" where she met and married her longtime love, the late allen ludden. then came the role that was made for her. mary tyler moore even said, "we need someone who can play sick ninningly sweet like betty white." white played sue ann nivens, sickeningly sweet on the outside, and snemming, conniving, lustful, hilarious on the inside. >> did you crash the men's room? >> of course not! i went as somebody's guest. ( laughter ). >> reporter: she was so good as sue ann, with two emmy awards, that she was offered much the same role in "the golden girls," the sassy, man-hungry blanche. but the director changed her to the opposite, the sweet, naive
weightlessness before coming back down. >> and why was this so important to william shatner? >> he took us into space with "star trek" in the '60s. and i think that the fact that he has created this new interest, i mean i'm sure more people watched the launch this morning than have watched the launch in probably the last decade. i mean he is an extraordinary man, he always embraced the next technology. when the phone rings for him the answer is always yes. i'm sure very few people have
southeast. it's 69 in new york, 69 in jacksonville, in the 60s across the great lakes. the central u.s., 10 to 25 degrees above average, we're in between two systems. the past 24 hours you can see the potential for showers and thunderstorms along the frontal boundary. we're going to watch the sow east where we see the potential over the next couple days for heavy rain and flash flooding so watching that. there's the forecast rainfall. you can see the areas, they need the wet weather but too much of a good thing can bring flooding. there's the forecast today. central u.s., warmer than. and then we are going to deal with some much needed moisture for the west as well this week. that's some good news. and we're still talking about hurricane sam just hanging on. it continues to move north and eastward. jillian: keep on going. todd: bye, sam. border communities are seeing a spike in fentanyl overdoses and authorities say the drug crisis is being fueled by the border crisis.
>> the trip is a drug induced mental explosion that changes the whole way you look at the world. >> how can we learn from what may look very like a limited or blinkered view so we're not making those mistakes today? if you look at what some of the hippies were thought to stand for, you put drugs to the side, a lot of the other stuff, the long hair, this or that outfit, talking about love, talking about equality and people's fluid form of identity, a lot of this has become main line. >> you know, in the '60s, psychedelics entered the culture. lsd especially and they arrive without an instruction manual. no one knew how the use them. we used them in a disruptive way. people would spike the punch bowl with lsd which is an