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"la belgique apportant la civilisation "au congo. "belgium brought civilisation to congo"? exactly, exactly. it's a very problematic one. how come these are still here, that plaque and that statue? that's a question that every visitors ask us. it's because the building is protected, it's part of the flanders cultural heritage. so we cannot touch anything from the walls of the building. right. so what we did is that we commissioned contemporary artists to present their alternative interpretation. so when the museum building says, "belgium brings security", he has the image of the belgian soldiers that brings security with eyes in his back. and it's notjust the text. it's as obvious as the colour of the statues. so here we have another inscription that says, "the wrestle with the snake. "the wrestle with the snake". you do notice that the statue is black and the others are gold, because gold is seen as superior, as godly. and this is for someone who is inferior. the museum traces its origins back to when king leopold ii set up
and your organization coauthored came to the conclusion that the kremlin still possesses a significant degree of adaptability. can they ever play a decisive role in the conflict or really make a difference to what's going on? >> sanctions are an out of weakness tool. this is something that we use when we don't want to fight. we don't want the u.s. troops on the ground to fight. but the russians instead are using the sanctions. so by default, this is a tool that's inferior to other options that are out there. having said that, saxes, when used effectively, can be extremely successful. i think they are underappreciated. we have a number of instances in cases like iran or south africa where sanctions have been able to contribute to domestic satisfaction. and i think that's not possible.
when you picked her. >> greg: i disagree with you. i don't think you hated to go there. you made me think that like if they picked kamala because she's inferior to joe biden as a vice president harris, how will they ever get a v.p. for kamala? it will get worse and worse. >> charlie: they can get dylan mulvaney. >> greg: there you go. >> jeanine: don't put that out there. >> greg: a great idea. dana, they acted like she's a broken computer. they can turn her off and plug her back in. >> dana: we're on the ninth reset of kamala harris. she's not had a communications director for several months. that's a very coveted jobs. white house coms director for the vice president of the united states? turns out nobody wants the job. i also think they have realized that republicans will -- let's see if they can communicate it
australian accents if we can. because we've always felt, with our accents, rather inferior, you see, to our english cousins. as indeed we are. the real barry humphries was an art lover, a painter, a collector of rare books, polite, a loyalfriend. the opposite of another of his characters. and i have the honour to be the australian cultural attache. how are you, sirjohn? les patterson. barry. g'day. but he and sir les did have one thing in common — drink. it took a divorce and a spell in hospital to convince him to give up the booze in 1971. i had such a wonderful trip overseas, you know. but throughout his life he always had edna. from her beginnings as a mousy parody of the suburban melbourne values he'd escaped... still, i dare say in a week or so i will have my australian accent back again!
iam i am awaiting us. —— i am weightless. listen, you could do with losing a little. success has gone to yourjowls! you're being very, very cruel! for more than 50 years, she took pleasure in saying the unsayable. i've had a little work done, but... have you? not quite as much as some! laughter and applause no... no, you are still recognisable, that's what i... laughter she was so familiar that it was easy to forget that behind the glasses and frocks was a man called barry humphries. that's me standing outside. oh, one of the big clocks they've got... he arrived in britain in 1959, an australian comedian with a devilish delight in satirising the people he'd grown up with. most of us who go to england try to get rid of our australian accents if we can. because we've always felt, with our accents, rather inferior,
no, but the thing is, you are still recognisable, that's what i like. laughter she was so familiar it was easy to forget that behind the glasses and frocks was a man called barry humphries. that's me standing outside. oh, one of the big clocks they've got over there. he arrived in britain in 1959, an australian comedian with a devilish delight in satirising the people he'd grown up with. most of us who go to england try to get rid of our australian accents if we can. because we've always felt, with our accents, rather inferior, you see, to our english cousins. as indeed we are. the real barry humphries was an art lover, a painter, a collector of rare books, polite, a loyalfriend — the opposite of another of his characters. and i have the honour to be
but not quite as much as some. laughter but the thing is, you are still recognisable. she was so familiar, it was easy to forget that behind the glasses and frocks was a man called barry humphries. that's me standing outside... oh, one of the big clocks they've got there. laughter he arrived in britain in 1959, an australian comedian with a devilish delight in satirizing the people he had grown up with. most of us who go to england try to get rid of our australian accents if we can, because we've always felt with our accents rather inferior, you see to our english cousins. as indeed we are. the real barry humphries was an art lover, a painter, a collector of rare books.
most of us who go to england try to get rid of our australian accents if we can. because we've always felt, with our accents, rather inferior, you see, to our english cousins. as indeed we are. the real barry humphries was an art lover, a painter, a collector of rare books, polite, a loyalfriend. the opposite of another of his characters. and i have the honour to be the australian cultural attache. how are you, sirjohn? les patterson. barry. g'day. but he and sir les did have one thing in common — drink. it took a divorce and a spell in hospital to convince him to give up the booze in 1971. i had such a wonderful trip overseas, you know. but throughout his life he always had edna. from her beginnings as a mousy parody of the suburban melbourne values he'd escaped... still, i dare say in a week or so i will have my australian accent back again! what is it, a little
he is very angry, you can see that. he think that is the bureaucracy went much further and everything explained on why he would do this bill was taken away. >> charlie brown got angry when lucy kept pulling the football. one more time. >> let's hear from the coalition of free market and consumer groups, okay, this is a letter to the energy department, this is in 2022. quote, when led's are more efficient and generally longer lasting than bulbs they cost more and inferior for certain functions like dimming. and here is the thing, right, this is not being reported in any way, shape or form. we are not seeing it. we are talking about the lightbulb ban here.
after ron desantis saying it's not smart to treat russia and putin as inferior. why this sound bite. i want your reaction to this. >> mitt romney and ron desantis, very much alike, who insist on arrogantly treating russia as deeply inferior to the other nations of the world, with no history or culture or pride are not only ignorant and foolish, but their attitude makes it impossible to negotiate peace. absolutely impossible. >> martha: the former president said it was a savvy move to move in to ukraine on putin's part. he said that at one point. what do you say to the former president about this statement? >> this is a dictator and a thug. there wasn't anything savvy about it. this was just a malicious move to go take over a freedom-loving country. that is why it's so important for us to remember that we have to defend ukraine, this is a war for freedom. this is one where the dictators