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The Arts Interviews

we asked as many as possible of these grown—up children to get in touch with us, so they'd have the chance to thank mr winton personally. can i ask, is there anyone in our audience tonight who owes their life to nicholas winton? if so, could you stand up, please? after the first that's life episode featuring sir nicholas winton�*s story aired in 1988, dozens more survivors got in touch with the programme. sir nicholas was invited back to the studio, and this time the audience included many more of the children from the prague trains and their descendants. from this moment on, they called themselves nicky's children, and renate was one of them. applause tv clip: ..mr winton personally. renate: here's me. tv clip: can i ask, is there anyone in our audience tonight _ who owes their life to nicholas winton? and you'd never met him at this point? no, never. no. tv clip: in the meantime, mr winton. .. _

Nicky-winton-actor , Children , Life , Us , Chance , Anyone , Audience , Touch , Story , Nicholas , Programme , That-s-life

The Arts Interviews

they took all the risks. they actually stayed in prague. you know, nicky, telling people isn't bragging. i i admired his sense of anonymity. he didn't want to be exposed or revealed. i think he was quite a remarkable man because of his humility. and so... i'd seen that bbc documentary with esther rantzen just some years ago, and i admired his low—key presentation, how he was baffled by esther rantzen�*s revelation of his work and his eagerness to give credit to the other people, who were the kindertrain people, who organised the children's escape from prague. cutting! like sir nicholas, sir anthony was also kept in the dark about the film's that's life studio audience. he was not told until hours before filming that the scene's

Prague , Nicky , Risks , Sense , Anonymity , People-isn-t-bragging-ii , Man , Bbc-news , Humility , Presentation , Documentary , Esther-rantzen

The Arts Interviews

they took all the risks. they actually stayed in prague. you know, nicky, telling people isn't bragging. i i admired his sense of anonymity. he didn't want to be exposed or revealed. i think he was quite a remarkable man because of his humility. and so... i'd seen that bbc documentary with esther rantzen just some years ago, and i admired his low—key presentation, how he was baffled by esther rantzen�*s revelation of his work and his eagerness to give credit to the other people, who were the kindertrain people, who organised the children's escape from prague. cutting! like sir nicholas, sir anthony was also kept in the dark about the film's that's life studio audience. he was not told until hours before filming that the scene's extras were, in fact,

Prague , Nicky , Risks , Sense , Anonymity , People-isn-t-bragging-ii , Man , Bbc , Humility , Documentary , Esther-rantzen , Children

The Arts Interviews

and thenjust before the story starts, the allied governments have handed over the sudetenland to hitler as a kind of an act of appeasement, and then he ignores the agreement. so they're naturally mistrustful, basically. and i think that's what... so the rabbi is sort of saying, what's your interest in these people? and it's a lovely chance for nicky to spell out who he really is, which is — i love that scene — he says, "i see myself as a european, as a human being, "and i see fellow human beings in distress." and he doesn't see borders and barriers and differences in race and religion. he just sees children that need rescuing. the prague route wasjust one of a network used to save an estimated 10,000 children from mainland europe. this commemorative service organised by the association ofjewish refugees was held at london's liverpool street station in december on the 85th anniversary of the first kindertransport. to all who lost their lives.

People , Story , Kind , Interest , Rabbi , Act , Agreement , Appeasement , Governments , Thenjust , What , Saying

The Arts Interviews

the descendants and relatives of the original refugee children. thank you very much. well done. oh, god. it's too much. so you lost family in the holocaust? ancestors. we lost family, ancestors. quite an event. you know, we can overstate and it becomes very dramatic, but it was quite an event seeing them all there and knowing that some of them were the grandchildren and maybe the children as well of the survivors. it was really quite an emotional moment. i suppose with nicky, his thing that anthony captures so well is he shrugs off and he prays and he's incredibly humble. he didn't tell anyone what he'd done in the '30s until years later, when the story was sort

Children , Refugee , Descendants , Relatives , God , Event , Family , Holocaust , Ancestors , Some , Nicky , Survivors

The Arts Interviews

that he had to overcome. and so it was a lovely thing for him to meet the children as adults. we asked as many as possible of these grown—up children to get in touch with us, so they'd have the chance to thank mr winton personally. can i ask, is there anyone in our audience tonight who owes their life to nicholas winton? if so, could you stand up, please? after the first that's life episode featuring sir nicholas winton�*s story aired in 1988, dozens more survivors got in touch with the programme. sir nicholas was invited back to the studio, and this time the audience included many more of the children from the prague trains and their descendants. from this moment on, they called themselves nicky's children, and renate was one of them. applause tv clip: ..mr winton personally. renate: here's me. tv cup: can | ask, _ is there anyone in our audience tonight who owes their life to nicholas winton? and you'd never met him at this point?

Nicky-winton-actor , Children , Thing , Chance , Us , Touch , Adults , Life , Story , Programme , That-s-life , Anyone

The Arts Interviews

and to get their kind of spokespeople to hand over the lists of names so that you could actually get in touch with these people and find out who needed to be taken out of the country was really hard because they'd been, you know, knocked back and forth. they'd been on the run for a long time. and thenjust before the story starts, the allied governments have handed over the sudetenland to hitler as a kind of an act of appeasement, and then he ignores the agreement. so they're naturally mistrustful, basically. and i think that's what... so the rabbi is sort of saying, what's your interest in these people? and it's a lovely chance for nicky to spell out who he really is, which is — i love that scene — he says, "i see myself as a european, as a human being, "and i see fellow human beings in distress." and he doesn't see borders and barriers and differences in race and religion. he just sees children that need rescuing. the prague route wasjust one of a network used to save an estimated 10,000 children from mainland europe. this commemorative service organised by the association ofjewish refugees was held at london's liverpool street

People , Story , Kind , On-the-run , Lists , Country , Forth , Spokespeople , Names , Thenjust , Nicky , Chance

Breakfast

and i think only two of them survived the war. so, that was a deep shame that he had to overcome. and so it was a lovely thing for him to meet the children as adults. we asked as many as possible of these grown—up children to get in touch with us, so they'd have the chance to thank mr winton personally. can i ask, is there anyone in our audience tonight who owes their life to nicholas winton? if so, could you stand up, please? after the first that's life episode featuring sir nicholas winton's story aired in 1988, dozens more survivors got in touch with the programme. sir nicholas was invited back to the studio, and this time the audience included many more of the children from the prague trains and their descendants. from this moment on, they called themselves nicky's children, and renate was one of them. applause tv clip: ..mr winton personally. renate: here's me.

Children , Thing , World-war-ii , Two , Adults , Shame , Nicky-winton-actor , Us , Chance , Life , Anyone , Audience

Breakfast

i mean, you should be proud. save one life, save i the world, you know? well, it's nothing to brag about. i mean, look at doreen and trevor. they did far more than i did. they took all the risks. they actually stayed in prague. you know, nicky, telling people isn't bragging. i i admired his sense of anonymity. he didn't want to be exposed or revealed. i think he was quite a remarkable man because of his humility. and so... i'd seen that bbc documentary with esther rantzen just some years ago, and i admired his low—key presentation, how he was baffled by esther rantzen's revelation of his work and his eagerness to give credit to the other people, who were the kindertrain people, who organised the children's escape from prague.

Life , It , Big-clubs-world , Nothing , Risks , Trevor , Doreen , One , Man , Sense , Nicky , Prague

Breakfast

with these people and find out who needed to be taken out of the country was really hard because they'd been, you know, knocked back and forth. they'd been on the run for a long time. and thenjust before the story starts, the allied governments have handed over the sudetenland to hitler as a kind of an act of appeasement, and then he ignores the agreement. so they're naturally mistrustful, basically. and i think that's what... so the rabbi is sort of saying, what's your interest in these people? and it's a lovely chance for nicky to spell out who he really is, which is — i love that scene — he says, "i see myself as a european, as a human being, "and i see fellow human beings in distress." and he doesn't see borders and barriers and differences in race and religion. he just sees children that need rescuing. the prague route wasjust one of a network used to save an estimated 10,000

People , Story , Country , On-the-run , Governments , Thenjust , Forth , Allied , Saying , Kind , Interest , Appeasement