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Hiplife

twi being one of the biggest local languages, it was unique in a sense that nobody had attempted to put rap together in that context before. # on and on for the hiplife. # check, check it out... pops would always say, "listen, reggie," you know, "all your rap? "bibbidy, bibbidy... "people ain't got time to listen to all of them lyrics. "we need something to catch them — a hook, a chorus." and he was right. because at the time, not long before i came, naughty by nature had blown up with hip—hop — "hey, ho" _ and my father always used to say how african that was — call and response. now "tsoo boi," i can say that anywhere in ghana and i get a response. # tsoo boi. # yeah. # tsoo boi... "tsoo boi" actually

Movement-called-hiplife , Rap , Twi , Nobody , Sense , Languages , Context , One , Reggie-rockstone- , Something , All , People-ain-t

Hiplife

is the heave—ho. any time we have to move something heavy, it's that sound, and this tells you how powerful sound is. # tsoo boi... reggie rockstone quickly became ghana's first superstar. people in the place! you know what i'm sayin�? it was so easy for africa to embrace hip—hop — it comes from us. everything about hip—hop is african, right down to the boogey, right down to the swag — everything. it's only because of that big, bad boat ride called slavery is how we got divided. i got an uncle that look just like puff daddy. # yo, sometimes i sit back and try to reminisce... panafest �94 — a pan—african cultural festival aimed at bringing africans around the globe together — would catapult hiplife.

Reggie-rockstone- , Something , Sound , Tsoo-boi , Heave-ho , People , Ghana , Place , Superstar , Everything , Hip-hop , Us

Hiplife

artists like tic tac or obrafour or kenya. for the very first time, they became the songs that you'd hear in the bars, the clubs — everywhere. then, when i came to this country, i shot the very first hiplife videos, which was reggie rockstone�s tsoo boi and talking drums' aden. # i'm about the flow. # because he's rhymin' with the 0. # once had a afro, - but not some cornrow... i had wasted a lot of money taking talking drums to america and thinking that in 1995, america was ready for a burna boy. # know my name is shabba. they were rapping but they were wearing these batakaris. 30 years ago, they were considered to be very primitive, traditional clothes. but i went to atlantic in 1995 with talking drums. i shouldn't have done, �cos i met record executive executives who couldn't even conceive that there was hip—hop in africa, so it took till 2020 for an american label like atlantic

Reggie-rockstone- , Country , Artists , Songs , Everywhere , Tsoo-boi , Drums , Kenya , Boi , Clubs , Obrafour , Bars

Hiplife

# it goes on and on for the hiplife. # check, check it out... pops would always say, "listen, reggie," you know, "all your rap? "bibbidy, bibbidy... "people ain't got time to listen to all of them lyrics. "we need something to catch them — a hook, a chorus." and he was right. because at the time, not long before i came, naughty by nature had blown up with hip—hop — "hey, ho" — and my father always used to say how african that was — call and response. now "tsoo boi," i could say that anywhere in ghana and i get a response. # tsoo boi. # hey! # tsoo boi... "tsoo boi" actually is the heave—ho. any time we have to move something heavy, it's that sound, and this tells you how powerful sound is. # tsoo boi... reggie rockstone quickly became

Movement-called-hiplife , Reggie-rockstone- , All , Rap , People-ain-t , Lyrics , Bibbidy , Pops , Something , African , Hey-ho , Father

Hiplife

which was reggie rockstone�s tsoo boi and talking drums� aden. # i'm about the flow. # because he's rhymin' with the 0. # once had a afro, - but not some cornrow... i had wasted a lot of money taking talking drums to america and thinking that in 1995, america was ready for a burna boy. # know my name is shabba. # but your purpose ain't no rankin'... they were rapping but they were wearing these batakaris. 30 years ago, they were considered to be very primitive, traditional clothes. but i went to atlantic in 1995 with talking drums. i shouldn't have done, �*cos i met record executive executives who couldn't even conceive that there was hip—hop in africa, so it took till 2020 for an american label like atlantic to sign burna boy. # like say tomorrow no dey... by the late 2010s,

Reggie-rockstone- , Money , Lot , Tsoo-boi , Drums , Afro , Boi , Flow , Cornrow , Rhymin , 0 , Us

Our old songs still the best —Kofi Nti

Kofi Nti says the comparison is unthinkable because songs from the new crop of musicians come nowhere close to old ones in terms of lyrical quality and instrumentation.

Fosu , Ghana-general- , Ghana , Ghanaians , Nana-agyemang , Kojo-antwi , Okyeame-kwame , Daddy-lumba , Yeeko-yenim , Amakye-dede , Ofori-amponsah ,