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Dears - No Cities Left (11 tracks) +Album Reviews swapacd.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from swapacd.com Daily Mail and Mail on Sunday newspapers.
Chained to the Grave #4 (of 5) Brian Level & Andy Eschenbach (w) • Kate Sherron (a & c) Outlaw Roy Mason has come back from the dead, chained to the headstone that marked his grave. On the trail of buried gold and hunted by a Big Bad, Roy struggles to hold his family—and his body—together. Writers Brian Level (Darth Vader, Thanos, Deadpool) & Andy Eschenbach (Heavy Metal Magazine, Red Shoes) and artist Kate Sherron (Invader Zim, The Amazing World of Gumball) bring you a tale of intrigue, murder, magic, and the good ol’ wild, wild west! FC • 32 pages • $3.99 Order 10 copies and get one free variant cover by Brian Level!
Soko Brings Big Fashion for ‘Little Fish’ Premiere Soko brings fun and flair in a red Batsheva dress for the premiere of her new pandemic romantic drama, Little Fish, on Friday (February 5) in Los Angeles. The…
On the Count of Three, Passing, Eight For Silver, and Prisoners of the Ghostland — they all dealt with some form of loss, depression, or grief. While I may be projecting my own emotions and feelings onto the films, these weren't the only movies at the festival to deal with the same topics. There was CODA, which follows 17-year-old Ruby who is struggling between deciding to follow her dreams or stay with her family; Mass, which brings together two sets of grieving parents in the aftermath of a school shooting; One For the Road, which features two friends brought together after one learns they have terminal cancer; and
'The Blazing World' Review: Carlson Young's Exhaustively Art-Directed but Enervating Adult Fantasy 'The Blazing World' Review: Carlson Young's Exhaustively Art-Directed but Enervating Adult Fantasy Writer-director-star Carlson Young pours much effort and feeling into this loose riff on a 17th-century sci-fi text, but who is it for? Guy Lodge, provided by FacebookTwitterEmail Running time: Running time: 99 MIN. Courtesy of Greenbelt Films For a filmmaker to take a possessive credit in their debut is already a confident move; for the opening credits of the first feature by writer-director-star Carlson Young to present it as “Carlson Young’s ‘The Blazing World’” is a brazen one. That title, of course, belongs first to a somewhat more established female author: Margaret Cavendish, whose 1666 book “The Description of a New World, Called the Blazing-World” was a foundational work of science fiction. Cavendish’s adventurous exploration of alternate dimensions has given loose inspiration to Young’s glittery but grief-fueled fantasy, which those credits again describe as “inspired by Margaret Cavendish and other dreams.”
"The Blazing World," filmed in Dripping Springs last year, brought Udo Kier to the drive-in. Audiences saw highly anticipated "Judas and the Black Messiah" a couple weeks before release. If you appreciate those little coronavirus-era surrealities, here's one. In 2021, we went to the Sundance Film Festival in Austin and watched drive-in movie premieres at a replica of an 1800s village. The ongoing pandemic continues to make large public gatherings a bad idea, but it has fostered a time of connection that probably wouldn't have happened otherwise. Sundance, which normally happens every year in Utah, went the way of many of its cousins: virtual. But organizers also took the opportunity to bring world-premiere cinema to people around the country, while also supporting their "satellite screen" exhibitors. In Central Texas, Sundance partnered with Austin Film Society for five nights of drive-in screenings of official festival titles, Jan. 28-Feb. 1, as well as a few online conversations.
Sundance in Memphis: The Potter-Lynch Generation memphisflyer.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from memphisflyer.com Daily Mail and Mail on Sunday newspapers.
You would think any movie that casts the iconic Udo Kier as an enigmatic dream guide who munches on fireflies would at least be interesting, but no – The Blazing World, an over-stylized, under-baked bit of tomfoolery from writer-director-star Carlson Young never manages to engross the viewer even as it continues to throw out fantastical scenarios left and right. It’s a draining mishmash of Intro to Psych lectures mixed with dream journal excerpts swirled together with some not-so-subtle Pan’s Labyrinth rip-offs. It’s no doubt a film made with the best intentions, but that doesn’t make it any less of a chore to sit through.
THE BLAZING WORLD Is a Fanciful Trip into a Scarred Psyche Twitter 0 comments One of the joys of any film festival is randomly picking a movie based on a logline and a photo. It’s always a crapshoot but there’s a better than average chance it’ll be something great. The Blazing World was one of those experiences for me at Sundance 2021. The official photo plus phrases in the description like “journey down the smokiest and scariest corridors of [main character’s] imagination” was all I needed to hear. And I’m thrilled to say it ended up as one of my favorites from the entire fest.
The Blazing World once again sees Young delving into the world of horror she became so familiar with during her stint as "scream queen" Brooke Maddox on the hit MTV show. When it came to making the jump from actor to director, Young was more than ready for the challenge. "I've been acting for a long time, so I felt like I had enough on-set experience as an actor to be able to do both," she shared. "I really enjoy directing myself because I understand what I'm looking for and I know the sort of energy points I want to hit in a performance." Young added with a laugh, "It's a lot of hats to wear, but I personally love doing all three."