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In defence of noise music

It’s curious to consider what a venerable old thing noise music is. That this most singularly untameable of musics – the place where melody, harmony and pulse all go to die – is an Edwardian invention. It first arrived in this country 110 years ago when futurists Filippo Marinetti and Luigi Russolo set up camp

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Aimard, Concerto Budapest, Keller review - lords of the dance

Aimard, Concerto Budapest, Keller review - lords of the dance
theartsdesk.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theartsdesk.com Daily Mail and Mail on Sunday newspapers.

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March 2022: Welcome and contents

March 2022: Welcome and contents
thestrad.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thestrad.com Daily Mail and Mail on Sunday newspapers.

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The Strad March 2022 issue is out now!

The Strad March 2022 issue is out now!
thestrad.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thestrad.com Daily Mail and Mail on Sunday newspapers.

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March 2022: Welcome and contents

March 2022: Welcome and contents
thestrad.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thestrad.com Daily Mail and Mail on Sunday newspapers.

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MusicalAmerica - Free Guide to (Mostly) Free Streams, April 12-19

An die ferne Geliebte, Op. 98, Schumann’s
Liederkries, Op. 39, and Beethoven’s
Aus Goethes Faust, Op. 75, No. 3. Register and view here until April 18.
8 pm ET: Tippet Rise Art Center presents
Spring Festival. For the first day of Tippet Rise’s Spring Festival, two films have been captured at the DiMenna Center. The first features violinist Katie Hyun—founding member of the Amphion String Quartet—performing Vytautas Barkauskas’s Partita for violin solo. For the second film, Tippet Rise’s Artistic Advisor Pedja Mužijevic performs in a program titled
Is It Real (A Loving Homage to Surrealism), which includes music and spoken word by Satie, Schwitters, and Antheil. At 7:30 pm ET there will be a “backstage” gathering via Zoom, giving artists the opportunity to discuss their performances, followed by the release of the films. View here.

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Music and the arts fill the air

Music / Four Winds Festival 2021, Bermagui, April 2-4. Reviewed by
ROB KENNEDY.
MUSIC and the arts filled the air at the 21st outing for the Four Winds Festival held in Bermagui over the Easter long weekend – part one.
After a year’s hiatus because of COVID-19 restrictions, the Four Winds Festival was back stronger than before. This festival showcased many styles of music, dance, poetry, spoken word and more from across the artistic spectrum. The theme for this year’s festival was “Reconnect”, put together by a dedicated team and artistic director Lindy Hume.
Four Winds audience. Photo: Ben Marden.
Within the many programmed events, there were numerous performances from some of Australia’s leading musicians and artists. Every day saw a large number of people arrive early to get the best spots, but on the free Friday, there were more than expected. One volunteer commented, “I don’t know if they will all fit in”.

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MusicalAmerica - MA's Free Guide to (Mostly) Free Streams, March 1-8

Verdi’s
La Traviata. Conductor: Giacomo Sagripanti, director: Simon Stone. With Pretty Yende, Juan Diego Flórez, Igor Golovatenko, and Margaret Plummer. Register for free and view here. LIVE
2 pm ET: London Symphony Orchestra presents
Rattle conducts Stravinsky. Sir Simon Rattle conducts the LSO in Stravinsky’s Octet for Wind Instruments,
Symphonies of Wind Instruments (1920),
Four Norwegian Moods, Suite No 1, and Suite No 2. View here.
2 pm ET: VOCES8 Live from London, Spring presents
Joanna MacGregor. To celebrate International Women’s Day, pianist Joanna MacGregor curates a journey from the Deep South to New York, from Russian poetry to an African paradise. The program includes Florence Price’s spiritual arrangements, Margaret Bond’s

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