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they know government, which makes them better at it. last in tonight's guest, it's like the defense secretary. his audiences are also missing writer joe devito. she's only here because she thinks i'm sean hannity outkick host charlie arnolds for salty air. she's like a mild day in january 35 and gloomy "new york times" selling author and fox news contributor kat timpf. and he's as big as that mountain at his mind is a fountain. "new york times" bestselling author, comedian and former nwa world champion tyron, you are there. i go to, you first, tyrus, cause it's black people. let's do it. yes, yes. i'm going to ask you about a black person. you came to the right place.
fill the house of the metropolitan opera house. i remember people sending me photographs of the line that was wrapped around and outside of the fountain that were just black people. it was like, are they going to church? like, what's happening? because that's what, you know, you don't typically see that many black people going into lincoln center. and so for what it represents, there's so many happy memories. but then i also had six stress fractures in my tibia and pulled out of the season the next day. the next day? and ended up having a plate screwed into my tibia. so you basically did that once. were you in agony the whole...? yes. yeah. i mean, once you go on stage, so much is, you know, the adrenaline and everything, so much is forgotten. it's a painkiller. yes, it's a great painkiller. but then as soon as, you know, all of that subsides and i remember taking the subway home that night and i...and it hurt just to stand. and you knew you couldn't... there's no way — i knew that that was it. mm—hm. how do you deal with disappointments like that? oh, you...
two months? yeah. this was the very first time i ever put on a pointe shoe and stood on pointe. wow. yeah, it's pretty wild. yeah. i mean, i was 13. i, you know, had... i wouldn't recommend this to anyone, putting pointe shoes on after two months. 0k. this... aw. ..we were talking about earlier. yes. this was here at lincoln centre, right? yes. this is the firebird. it's probably in that first performance at lincoln centre. there's so many mixed feelings around this image because like you were saying earlier, what that night represented for, you know, black and brown community to come out and support — we'd never seen that many fill the house of the metropolitan opera house. i remember people sending me photographs of the line that was wrapped around and outside of the fountain that were just black people. it was like, are they going to church? like, what's happening?
photographs of the line that was wrapped around and outside of the fountain that were just black people. it was like, are they going to church? like, what's happening? because that's what, you know, you don't typically see that many black people going into the lincoln center. and so for what it represents, there's so many happy memories. but then i also had six stress fractures in my tibia and pulled out of the season the next day. the next day? and ended up having a plate screwed into my tibia. so you basically did that once. were you in agony the whole...? yes. yeah. i mean, once you go on stage, so much is, you know, the adrenaline and everything, so much is forgotten. it's a painkiller. yes, it's a great painkiller. but then as soon as, you know, all of that subsides and i remember taking the subway home that night and i and it hurtjust to stand. and you knew you couldn't... there's no way — i knew that that was it. mm—hm. how do you deal with disappointments like that? oh, you... for me, i tend to not go
i ever put on a pointe shoe and stood on pointe. wow. yeah, it's pretty wild. yeah. i mean, i was 13. i, you know, had... i wouldn't recommend this to anyone, putting pointe shoes on after two months. this... aw. ..we were talking about earlier. yes. this was here at lincoln center, right? yes. this is the firebird. it's probably in that first performance at lincoln center. there's so many mixed feelings around this image because like you were saying earlier, what that night represented for, you know, black and brown community to come out and support — we'd never seen that many fill the house of the metropolitan opera house. i remember people sending me photographs of the line that was wrapped around and outside of the fountain that were just black people. it was like, are they going to church? like, what's happening? because that's what, you know, you don't typically see that many black people going into the lincoln center. and so for what it represents,
THERE are many telltale signs of the holidays: longer nights, cold air and the lights that twinkle as far as the eye can see. But while people rush to beat their yearly deadlines and make yuletide lists, everything else comes to a full stop when tradition comes into play.
The family of a man who died from an electric shock at a fountain at Harbourside Place filed suit against the establishment, requesting over $50,000 in damages.
Attorneys for the family of the man electrocuted in a jupiter fountain last month have filed a new legal complaint.Nate davenport’s family is demanding harborsi