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the commemorative aspect of your work is very important. so, for example, this sculpture ofjosephine baker, the celebrated african—american, black american singer—actress. this is the last... yeah. this is the last big monument. this is the last series of, you know, of steles that arrived absolutely un. .. you know, i had no idea i was going to do a josephine until i did it. so how important is that commemorative aspect of your work to you? why is it so significant? i think that is not only commemorative, but it's also the poetic... ..the poetic aspect of my work. and it's there as a persona. these sculptures are notjust
- [wendell] you turned on that road and wasn't blinking your light and blowing your horn, and it was night, if you didn't get shot, you was gonna sure get shot at. they were there to defend themselves, their families and their community. - [josephine] the white peoples, they would be mouthing off, and hissing, and calling us niggers and things like that. they would shoot at us and try to scare, but we wouldn't let that bother. (children laughing) the blacks had been hidden behind the whites for so long. and that was something we could make a start for ourself and get out to register to vote, and help others become registered voters. and to find the word for themself.
- [josephine] each time we went we learned something different you know? and the peoples in tuske would come down and they set up schooling for the people you know? and we went to school, like i said, we had classes down here at the little road, down here at the little school house. we had sewing classes, we had cooking classes, and we had schooling, math, arithmetic. - [catherine] my parents were often going to meetings. and i just remember every time they went to a meeting and stokely was there, they would come back, fired up. yeah, my parents were the jailhouse lawyers of their community. my mother did taxes, i think a lot of people of a certain age group in our area when they got social security benefits is because my mother filled their paperwork out for them. - [lillian] we didn't have anything, but each other, everybody helped everybody. you may not know one thing. i may know something.
to cut waiting times. hannah knows their time together is not forever, but fosterers like her are needed to help dogs likejenny become guides for people like me. i'm nowjoined by haley andrews, who's head of puppy raising at guide dogs. and the guide dog. i am quite nervous around dogs but presumably having to get as you can see he's very interested, different sounds and people, he is having a look around and diane letting the him do that. tell having a look around and diane letting the him do that.- letting the him do that. tell us more about — letting the him do that. tell us more about him. _ letting the him do that. tell us more about him. oakey - letting the him do that. tell us more about him. oakey is i letting the him do that. tell us more about him. oakey is a i more about him. oakey is a 12—month—old german shepherd cross golden retriever, he is being raised ljy golden retriever, he is being raised by a woman called josephine, she is currently raising two of our dogs.
♪ ♪ ♪ >> the daughters of the confederacy they were an active group. look at this, the nightly as of the nightly race. i'm assuming not africans. a deathless all of chivalry, it's about sullivan chivalry, standing for their homes, their farms, their children. >> there is no tearing this thing down, this will loom here, this is not some little town square, this is the state house of alabama. some memorials are easier to find than others. 20 miles from the capitol, a plaque stands on the side of the highway. it marks the spot where a black man was lynched, and his body left in a ditch just 100 yards from where his five-year-old daughter
josephine waited for him to come home. when you're black in alabama, you can't help but walk in the shadows of these huge confederate monuments. do you see a connection between the message being said about white supremacy and what happened to your father? >> very much so. the articles that described my father's death say enraged white jealous of the success of a black man. you acquire more than they think you should, they have to put you back in your place. >> enraged? >> enraged. >> josephine says she paid for her father's marker herself after the state refused to allow her to place it in public land. >> when you think about what you missed in life from not having him -- >> my mom went from prosperity to poverty almost overnight. sometimes i've wondered what my
the martin and lewis broke up, everybody wanted to try and create the next martin and lewis, to try and fill that back in. >> can you named josephine. >> get away from me, now look, doors, get away from you. >>, and, doors, and just trying to be friendly, a little right here? >> look, i'm warning you, i don't want any trouble, i live around here, get out. >> what's your address? >> look, it's no good, you are not going to make a pickup, you understand? 4411 westminster place. get going. >> nichols and make him out of the compass players in chicago, a precursor to second city, used to go to sleep at night listening to their records and they discover things about comedy that i could never have learned like, sometimes mike would just go oh, so oh can be funny. instead of a liner a joke you can get a laugh on oh. >> greg can be-- brynn gingras seven, brynn gingras seven.
pleased. he called the big eyes when i was little. that's fabulous, thank you mummy and daddy and my family. my you mummy and daddy and my family. my family are here, my siblings. and to my siblings who didn't survive. and i'm going to name them. patricia, josephine, david. they were fantastic people. and i think they are looking at us right now and they are looking at us right now and they are proud. and i want to thank everybody. i have a few people who in my career i've looked out for me. when i wasn't visible. and i was making work from rubbish. quote collected rubbish over a number of years. some of the rubbish is some of my most important works i think. thank you to the other artists. it is a fantastic insulation. we have
african—american, black american singer-actress. this is the last. . .- yeah. | this is the last big monument. this is the last series of, you know, of steles that arrived you know, i had no idea i was going to do a josephine until i did it. so how important is that commemorative aspect of your work to you? why is it so significant? i think that is not only commemorative, but it's also the poetic... ..the poetic aspect of my work. and it's there as a persona. these sculptures are not just sculptures in space. they are also personas. they are also histories