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I Finally Watched Kill Bill For The First Time And I Have A Lot Of Thoughts About The Quentin Tarantino Classic

The biggest "R" I feel is regret. Regret that I should have seen this movie sooner, but at least I've seen Kill Bill now and can share my thoughts about Quentin Tarantino's epic revenge flick.

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Kill Bill: Vol. 1 - 450 Gallons of Fake Blood and 9 Other Things You (Probably) Never Knew

Kill Bill: Vol. 1 - 450 Gallons of Fake Blood and 9 Other Things You (Probably) Never Knew
ign.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from ign.com Daily Mail and Mail on Sunday newspapers.

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Kill Bill: 88 Reasons We're Still Crazy About Quentin Tarantino's Revenge Epic | Movies

As Uma Thurman and Quentin Tarantino's rip-roaring rampage of revenge turns 20, Empire celebrates the greatest moments from the ultra-violent action-thriller.

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Here Is How 'Pulp Fiction' Connects To 'Reservoir Dogs'

Here are the many ways that Quentin Tarantino's 'Pulp Fiction' connects to 'Reservoir Dogs' and his other films.

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Takashi Shimizu Gets North American Distribution for Latest Horror Project

Takashi Shimizu will bring his distinctive take on horror to a new project based on the infamous "suicide forest" of Aokigahara.

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Stunts! Stars or Stunt Doubles? | 95.7 The Jet | 95.7 The Jet Mornings with Jodi & Bender

Stunts! Stars or Stunt Doubles? | 95.7 The Jet | 95.7 The Jet Mornings with Jodi & Bender
iheart.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from iheart.com Daily Mail and Mail on Sunday newspapers.

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Bling Empire and Asian Representation

Bling Empire and Asian Representation
On the limits of new Hollywood tropes
Art by Janina Osinsao
February 26, 2021
Asian representation in Hollywood has long been limited to a repertoire of offensive stereotypes understood through the Western gaze. Take Mickey Rooney’s Mr Yunioshi in
Breakfast at Tiffany’s (1961). Unabashedly in yellowface, with exaggerated mannerisms, arched eyebrows and a comically thick accent, Rooney’s portrayal desexualises and alienates Asians. Or, perhaps, Nelly Yuki in
Gossip Girl (2007-2012), a studious New York Upper-East Sider whose only aspiration is to go to Yale, or Lucy Liu’s O-Ren Ishii in
Kill Bill (2003), which plays into the “dragon-lady” trope, an orientalised and fetishised femme fatale.

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My Favourite Tarantino Movie - Kill Bill: Vol. 1 (2003)

Flickering Myth’s writing team count down to the UK release of Django Unchained by selecting their favourite Quentin Tarantino movies; next up is Kirsty Capes with 2003’s Kill Bill: Vol. 1…
Kill Bill: Vol. 1 is a bit like a bull in a china shop. There is supposed structure in the narrative form, with each incident of the plot boxed neatly in a “chapter”, but somehow Tarantino weaves an engaging and cohesive story amid chaos. The jumps and swings in plot, typical of Tarantino’s style, which has been well established in his previous three films by this point. The conception of the plot in

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