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Craig Wedren Interview: New Album, Shudder To Think, The State, 'Velvet Goldmine,' & More

Craig Wedren Interview: New Album, Shudder To Think, The State, 'Velvet Goldmine,' & More
stereogum.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from stereogum.com Daily Mail and Mail on Sunday newspapers.

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Heartstopper: 12 Shows To Watch After Finishing Season 2 | HuffPost UK Entertainment

Already missing out on Nick and Charlie's romance? Sex Education, Young Royals and Big Boys could all be up your street.

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Toni Collette Interview: Actor Talks The Power And Muriel's Wedding

The Australian actor talks to HuffPost UK about her new Amazon Prime series, The Power, Hereditary's Oscars "snub" and Muriel's Wedding.

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Diablo Cody Wants To Set The Record Straight About Juno In Light Of Roe V Wade Being Overturned

Many have interpreted Juno in different ways since the film's release.

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Cruella: Emma Stone reframes the narrative of an iconic villain

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"At first you think Cruella is the devil, but after time has worn away the shock – you come to realize you’ve seen her kind of eyes, watching you from underneath a rock..." So sings sweet spotty dog owner, Roger Radcliffe, about his wife’s wicked, fur-obsessed school friend in Disney’s 1961 animated feature, 101 Dalmatians.
Introduced as a careless chain-smoking driver with an unhealthy interest in the Radcliffes’ imminent puppies and social niceties as chaotic as her two-tone hair, Cruella is set up from the get-go as an archetypal baddie. Her dog-napping and plans to skin numerous pups for coats has ensured she’s made umpteen villain lists over the years and inspired numerous iterations, but though we knew from Dodie Smith’s 1956 book that Cruella was expelled from school for drinking ink, she has always previously arrived on screen as a fully formed adult. So if at first, as Roger trills, we think she is the devil – what will we think once we’ve been educated about her past? Especially in an era of 'reclaiming the narrative', when a president dismisses a female opponent as a ‘nasty woman’ and at a time when gender politics and the liminality of 'good/bad' behavior is headline news?

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