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Every State's Favorite Pickup Lines

“SOOOOO-IE!”

Kentucky , United-states , Fuck , Nan , Linton , Owntown-phoenix , Nglish-profanity , Udah , Exual-slang , Hris-coons , Nterjections

History of the Sitcom

clippers fan, you have been doing the struggle. lorraine ali: i remember one episode when kenya barris was tackling the uproar over colin kaepernick taking a knee. son: i'm sorry, i can't sleep. dre: of course you'd be afraid of the storm. son: it's not why i can't sleep. the school wants to suspend any athletes who take a knee during the national anthem. ali: abc finds it too hot. they want to shelf it and they do shelf it. and then he walks. malcolm venable: he goes over to netflix where he got a whopping hundreds of millions dollar deal to create new content. ♪ kenya: i don't know how to do it man. i feel like i really care what white people think. i feel like i-i like it a lot. tyler: that's really sad, man. that's a sad existence. kenya: it's not a great life. cedric: i loved kenya barris in the show black af with tyler perry, where he's lost and not knowing what to do. kenya: what about critics? tyler: i don't give a fuck.

Son , Episode , Lorraine-ali , Knee , Sleep , Struggle , Fan , Uproar , Colin-kaepernick , Kenya-barris , One , Course

History of the Sitcom

♪ its not unusual to be loved by anyone ♪ beretta smith shomade: and so when fox comes around and says, how can we gain audience? oh, black people. so they initiate a series of shows that target an audience that had not been targeted. malcolm venable: martin lawrence is this increasingly mega popular comedian on the scene. martin lawrence: i know big bird been out of business but what the fuck is up? jacqueline coley: if you want to just compare martin and the fresh prince, martin in no way ran away from its blackness. he hosted a black radio show... martin: what up? jacqueling coley: ...he had gina, his live in girlfriend. tawny newsome: it was the blending of sketch with traditional narrative sitcom. cedric: martin lawrence played, many, many characters on that show. martin: jerome in the house! cedric: from jerome to roscoe... gina: what do you want? roscoe: i want you to get a smaller head but i ain't got no control over that.

People , Shows , Red-fox , Audience , Beretta-smith-shomade , Series , Smith-shomade , Anyone , Comedian , Malcolm-venable , Business , Martin-lawrence

History of the Sitcom

tyler: people are recognizing themselves in these stories, no matter how crass people think they are, no matter what the critics are saying, 'oh i don't get this shit, i don't understand that this is' - i don't give a fuck, because i'm talking to us . lorraine ali: the fragmentation of television, streamers coming in. it just opened all this space. ♪ cedric: what makes insecure unique is, the power in the recognition of strong, vibrant black women. issa: being aggressively passive is what i do best. i used to keep a journal to vent. now i just write raps. issa: [rapping] oh look nigga guess you're still single. couldn't find another bitch to make your toes tingle. jacqueline coley: the first time i actually saw myself on television was when issa rae premiered insecure. issa: hot shit! jacqueline coley: because i was a 20 something post college, somewhat aimless millennial who is trying to figure out how to grow up. molly: oh, i embrace who i am. kelli: okay! molly: i do what i want and i do not give a fuck what anybody thinks. [laughing]

People , I-don-t , Saying , Lorraine-ali , Us , Matter , Stories , Fuck , Mary-tyler-moore , Critics , Shit , Fragmentation-of-television

History of the Sitcom

and then he walks. malcolm venable: he goes over to netflix where he got a whopping hundreds of millions dollar deal to create new content. ♪ kenya: i don't know how to do it man. i feel like i really care what white people think. i feel like i-i like it a lot. tyler: that's really sad, man. that's a sad existence. kenya: it's not a great life. cedric: i loved kenya barris in the show black af with tyler perry, where he's lost and not knowing what to do. kenya: what about critics? tyler: i don't give a fuck. tyler: people are recognizing themselves in these stories, no matter how crass people think they are, no matter what the critics are saying, 'oh i don't get this shit, i don't understand that this is' - i don't give a fuck, because i'm talking to us . lorraine ali: the fragmentation of television, streamers coming in. it just opened all this space. ♪ cedric: what makes insecure unique is, the power in the recognition of strong,

People , Malcolm-venable , Hundreds , Kenya , It-man , Dollar-deal , Content , Lot , Life , Cedric , Critics , Tyler-perry

History of the Sitcom

vibrant black women. issa: being aggressively passive is what i do best. i used to keep a journal to vent. now i just write raps. issa: [rapping] oh look nigga guess you're still single. couldn't find another bitch to make your toes tingle. jacqueline coley: the first time i actually saw myself on television was when issa rae premiered insecure. issa: hot shit! jacqueline coley: because i was a 20 something post college, somewhat aimless millennial who is trying to figure out how to grow up. molly: oh, i embrace who i am. kelli: okay! molly: i do what i want and i do not give a fuck what anybody thinks. [laughing] ♪ daniel fienberg: atlanta is part of this new wave of auteur driven comedy. man: where your ancestors from? congo? ivory coast. earn: i don't know, this spooky thing called slavery happened and my entire ethnic identity was erased. troy patterson: the premise is that earn, played by donald glover, has dropped out of princeton university and is back home in atlanta trying

Issa-rae-premiered-insecure , Time , Bitch , Couldn-t , Jacqueline-coley , Journal , Women , Rapping , Toes , Raps , Something , Television

Loan Wolves

i still don't know. - well, you keep doing it, so-- - i know. - just--i don't know. like, can we... that reminds me. who the fuck was responsible for the obliteration of the american dream? i needed to get back to our whodunit and narrow down our suspects. [intriguing music] i got a mysterious call from kevin saying he had some high-level intel regarding my mission. i asked him to meet me by the washington monument. kevin? you know, to add to the intrigue. my man. you have a lead for me? - i think it was buck mckeon. - how sure are you? - all evidence points in his direction. out of anybody in congress, mckeon had the best motive. between his committee assignments and the fact that he was the recipient of thousands of dollars in campaign contributions from major college lending companies. he had a lot to gain personally

It , The-american-dream , Don-t-know , Whodunit , I-don-t-know , Fuck , Obliteration , Music , Kevin , Level , Mission , Suspects

Loan Wolves

because it takes too much time to clean up. - dallas police department facing a staff shortage, and the chief says millennials are to blame. - experts say millennials are also to blame for the decline of casual dining venues. - um, millennials really killed casual dining? - i mean, we do like chipotle, i think. but doesn't everyone? - this is a real-life millennial. - what--what do the older generations get wrong about millennials? - oh, my gosh, everything. [laughs] i think people associate, like, the millennial generation with like, young people. and it's like, "shit, i have gray hair." can i say shit? i don't know. - we got to cancel this whole thing. - okay. i don't know what-- - she just-- - [laughs] - behind that offensive, despicable foul mouth is a tireless researcher who wrote a book about millennials so she could figure out what the fuck was going on with her generation. - i think the older generation see us as being entitled and narcissistic. you know, okay. i get it. like, i probably am one of those millennials who,

Millennials , Experts , Um , Staff-shortage , Decline , Chief , Dallas-police-department , Casual-dining-venues , Everything , Everyone , What , Doesn-t

Leguizamo Does America

- how do you make this process happen? - well, this piece is almost ready, if you want to help me touch it up. i'll show you this process. - you're going to show me? - you got some skills, come on. - i might. i might. i don't want to wreck it. - anything that you mess up, we just paint over. - yeah, exactly. - it's forgiving. art is forgiving. - yeah. if art isn't about forgiveness, what the fuck is it about? remember that. ♪ staying in my lines. - oh, sh-- no, you're good. i'm just messing with you. i mean, i think about bob ross, when he's like... - oh, bob ross! we all love bob ross. - "happy accidents, baby." - happy accidents. - you're not really messing up. you just--happy little-- - i love--in acting, man, happy accidents are the best. like, when you think-- when you mess up, sometimes it's better than the original. - yeah. and it's more natural, as well. - absolutely, and it's nice and meditative, too, isn't it? - yeah. - you get in the zone. - yeah. your brain is moved. you distract it. and we're going to do curls on the girl. - oh. - yes. then you start making it wider. there you go.

Art , Anything , Process , Piece , Come-on-by , Skills , Bob-ross , Fuck , Art-isn-t-about-forgiveness , Lines , Staying , Sh

Leguizamo Does America

- yeah. so here always. - how do you make this process happen? - well, this piece is almost ready, if you want to help me touch it up. i'll show you this process. - you're going to show me? - you got some skills, come on. - i might. i might. i don't want to wreck it. - anything that you mess up, we just paint over. - yeah, exactly. - it's forgiving. art is forgiving. - yeah. if art isn't about forgiveness, what the fuck is it about? remember that. ♪ staying in my lines. - oh, sh-- no, you're good. i'm just messing with you. i mean, i think about bob ross, when he's like... - oh, bob ross! we all love bob ross. - "happy accidents, baby." - happy accidents. - you're not really messing up. you just--happy little-- - i love--in acting, man, happy accidents are the best. like, when you think-- when you mess up, sometimes it's better than the original. - yeah. and it's more natural, as well. - absolutely, and it's nice and meditative, too, isn't it? - yeah. - you get in the zone. - yeah. your brain is moved. you distract it. and we're going to do curls on the girl. - oh. - yes.

Anything , Process , Piece , Come-on-by , Skills , Art , Fuck , Lines , Art-isn-t-about-forgiveness , Staying , Sh , Man