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wednesdays @ 7 5.10.23

wednesdays @ 7 5.10.23
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15 Essential Scott Walker Songs

These Scott Walker songs capture the essence of his various career turns and provide tips in navigating a catalog full of acquired tastes and outright fumbles.

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The Walker Brothers

The Walker Brothers
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How Jeff Beck and Seymour Duncan created humbucker magic with the classic JB pickup

While the classic Seymour Duncan SH-4 JB was never actually a signature pickup, without Jeff it may never have happened…

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Songs For The Broken Hearted – The All State

Songs For The Broken Hearted – The All State
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Flashback: Buddy Holly, Ritchie Valens, & 'The Big Bopper' Remembered

It was 64 years ago today (February 3rd, 1959) that Buddy Holly, Ritchie Valens, and J.P. "The Big Bopper" Richardson died in a plane crash after a performance in Clear Lake, Iowa. The three had been performing along with Dion & The Belmonts as part of the Winter Dance Party Tour, which would cover 24 cities in a short three-week period from January 23rd to February 15th. Holly, who had parted ways with longtime backing group the Crickets the previous year, was backed up by a then-unknown Waylon Jennings on bass, Carl Bunch on drums, and Tommy Allsup on lead guitar. Dion DiMucci says that although the shows were always hot, his favorite moments from the tour were jamming on the near freezing bus on the way to the next town: ["Well, we used to play in the back of the bus -- Ritchie Valens, myself and Buddy Holly. The Big Bopper didn't join in, he sat in the front with his beer. But we would rock in the back of the bus. You talk about tapes -- I wish there was a tape going on."] SOUNDCUE (:14 OC: . . . tape going on) Throughout the tour, the musicians' bus was either breaking down or often without heat. At one point, it was so cold that the tour's drummer developed frostbite, resulting in the Belmonts' Angelo D'Aleo -- as well as Valens -- serving double-duty by filling in on drums. When the tour finally arrived at the Surf Ballroom in Clear Lake, Iowa on February 2nd, 1959, Holly had made plans to fly out to the next city directly after the show, rather than brave the unheated 430-mile bus trip to Moorhead, Minnesota. He had hoped to get to their next stop with time to rest and do his laundry. Dion says that the time he spent with Holly has left a deep and lasting impression on him, and he remembers him as a man wise beyond his years: ["I spent two weeks with him. And he was very mature for his age. I mean, I was 19 -- he was 22. He was a very decisive guy. I don't know if it was his upbringing, but I couldn't make decisions that fast. I mean. . . Well, he rented a plane! At 22 years old, 'O.K. listen' -- y'know, he was recruiting people -- 'Let's fly out and we'll just split it.' But you think of a 22-year-old chartering a plane, that was his kind of personality."] SOUNDCUE (:27 OC: . . . kind of personality) Holly chartered a plane to fly him and his band to Fargo, North Dakota, near Moorhead. Jennings and Allsup gave up their seats to Richardson and Valens. Dion was supposed to be on the plane rather than Valens, but balked when he heard that his share would be a whopping $36 -- the exact amount of his parents' monthly rent back home in the Bronx. When Holly learned that Jennings wasn't going to fly, he said, "Well, I hope your old bus freezes up!" Jennings responded, "Well, I hope your plane crashes!" This friendly banter would haunt Jennings for years. Valens, who was sick, told Allsup, "I'll flip you for the remaining seat." On the toss of a coin, Allsup lost the seat -- but won the rest of his life. The red Beechcraft Bonanza took off from Mason City, Iowa, ten miles east of Clear Lake, at around 1:50 a.m. on February 3rd, 1959. A cold wind immediately gave way to snow, which drastically reduced visibility. The ground was already blanketed in white. The pilot may have been inexperienced with the instrumentation. The plane never made it to Minnesota. Minutes after takeoff, one wing hit the ground and the small plane corkscrewed over and over. The three young stars and pilot Roger Peterson died immediately on impact. Over the years there has been speculation as to whether a gun was accidentally fired inside the plane, disabling or killing the pilot. The most logical explanation suggests that encased in a sea of white snow, Peterson simply flew the plane into the ground. At the time of the crash, Buddy Holly was 22 years old. Ritchie Valens was 17, and the Big Bopper was 28. Buddy Holly was born in Lubbock, Texas on September 7th, 1936 as Charles Hardin Holley. Although many of his greatest hits from the 1950s, such as "Peggy Sue," "Not Fade Away," "Every Day," "Maybe Baby" "Well... Alright," and "That'll Be The Day" have stood the test of time, Buddy's ultimate influence was not as a performer but as a songwriter. Buddy Holly helped spearhead a whole new genre, serving as a main inspiration for the next generation of rock songwriters including, most importantly, John Lennon & Paul McCartney, Gerry Goffin & Carole King, Mick Jagger & Keith Richards, Paul Simon, Pete Townshend, Brian Wilson & Mike Love, Ray Davies, and Bob Dylan. Paul McCartney has long cited Buddy Holly as his main songwriting influence went on to purchase Holly's songwriting catalogue. He recalled the scene for him on February 3rd, 1959: ["I remember being in my old school playground, getting there in the morning, and we used to have a little thing called 'Smoker's Corner,' where those of us who were about 15, 16, or something, would, y'know, think we were real hoods, smoke a quick Woodbine (cigarette) before we went to class early in the morning. And someone had a Daily Mirror -- and there, on the headline: 'Buddy Holly Died.' Oh my God. The rug was pulled out from underneath us. It was quite shocking. It's one of those events where people can remember where they were."] SOUNDCUE (:28 OC: . . . where they were) Graham Nash recalls how he and fellow Hollies co-founder Allan Clarke dealt with the news of Holly's sudden death: ["I remember being on the street corner with my friend Allan Clarke, who later formed the Hollies with me -- my best friend at the time -- crying our eyes out. I mean we lost -- not only Buddy, but the 'Big Bopper' and Ritchie Valens. Y'know, I wasn't as much into their music, although I knew it, but I was totally involved in Buddy's music and we were crying our eyes out."] SOUNDCUE (:22 OC: . . . our eyes out) We asked Nash what he made of Holly upon first hearing him in 1957: ["Unbelievable. He was one of us, he was a rock star that had glasses. It wasn't a sex thing, y'know, like Elvis (Presley) was with his swiveling hips. Buddy Holly touched people's hearts in how simple his music was and how attainable it was for everybody. I mean, who doesn't know a Buddy Holly song? I was looking the other day at The Rolling Stone 500 Best Songs Of All Time and he's got four of them in there! We called ourselves the Hollies for God sake. And he definitely without question influenced the Beatles."] SOUNDCUE (:30 OC: . . . influenced the Beatles) Paul McCartney has without a doubt been the biggest champion for Buddy Holly's music over the decades: ["It's great music, Buddy's. It's very evocative for those of us who were around then. Y'know, it really sums up the period. And a lot of it still plays now, still sounds good."] SOUNDCUE (:08 OC: . . . still sounds good) McCartney recalled that apart from songwriting, Buddy Holly actually inspired him and John Lennon in other ways: ["The thing about Buddy was, whereas Elvis (Presley) was this unattainable, gorgeous, god; Buddy was the boy next door. And I remember John being particularly pleased -- he could now put his glasses on. 'Cause John had big

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Sweat It Out and Dance About, the Whole Eternal Life

Like his work or hate it, the central point is that he followed through into the dark corners of a mutually constituting pair: his psyche and our world. Walker felt he had to go beyond what we think of as “music” to do it. Even if a failure, that’s spectacular, a testament to what human beings can accomplish when our needs are met and fame lays far off. If only 30 Century Man had told that story.

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Molly Nilsson on Witchcraft, Anti-fascism and How Her Nostalgic Synth-pop Ties It All Together

The Swedish-born artist has crafted a discography that waltzes between the electronic, minimal synth and hypnagogic pop genres.

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The Descendents Speak Out After Witness in January 6 Hearings Wears Milo T-Shirt

The Descendents have spoken out to condemn the Oath Keepers, a far-right militia group, after their former spokesman wore their merch while...

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