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Gauguin Attacker Angered By "Very Homosexual" Art

Public Documents, Mug Shots

Virginia , United-states , Alexandria , Al-iskandariyah , Egypt , National-gallery-of-art , District-of-columbia , France , Washington , American , French , Deborah-ziska

Dining aboard MS Paul Gauguin cruise: An impressive culinary experience

The verdict: Americans say one thing, the French say another. And the Kiwis?...

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8 of the best islands to visit by cruise ship

Think off-beat European destinations and sunny tropical paradise.

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HARDtalk

contemporary art development. and of course, you know, it's well known that people like matisse and gauguin, picasso, were inspired by art forms outside of the western canon — africa, japan, tahiti. and i think, with our work, what we wanted to do was challenge the hypocrisy of what we were experiencing. because at the same time we were being taught that the be all and end all of being an artist was this, you know, this wonderful sort of self—expression. and then we were being told, well, no, you can't express yourself in that way. and you certainly can't look outside the western canon of art for your personal language. and one examiner apparently, reportedly, said, "give them a 2.2," which is at the lower end of a degree mark. and he said, "they won't mind "because they'll soon be in an arranged marriage." yes, well... how did that make you feel? well, angry, of course, because it's one of those cultural presumptions and stereotypes that we've grown up with all our lives, you know. _

Work , Course , People , Art-forms , Western-canon , Africa , Japan , Gauguin , Tahiti , Picasso , Matisse , Way

HARDtalk

and we really set out to challenge that because the course we were studying was western art, western contemporary art development. and of course, you know, it's well known that people like matisse and gauguin, picasso, were inspired by art forms outside of the western canon — africa, japan, tahiti. and i think, with our work, what we wanted to do was challenge the hypocrisy of what we were experiencing. because at the same time we were being taught that the be all and end all of being an artist was this, you know, this wonderful sort of self—expression. and then we were being told, well, no, you can't express yourself in that way. and you certainly can't look outside the western canon of art for your personal language. and one examiner apparently, reportedly, said, "give them a 2.2," which is at the lower end of a degree mark. and he said, "they won't mind because they'll soon be in an arranged marriage." yes, well... how did that make you feel? well, angry, of course, because it's one of those

Work , Course , People , Western-art-history , Art-forms , Western-canon , Africa , Western-contemporary-art-development , Japan , Tahiti , Matisse , Gauguin

HARDtalk

the course we were studying was western art, western contemporary art development. and of course, you know, it's well known that people like matisse and gauguin, picasso, were inspired by art forms outside of the western canon — africa, japan, tahiti. and i think, with our work, what we wanted to do was challenge the hypocrisy of what we were experiencing. because at the same time we were being taught that the be all and end all of being an artist was this, you know, this wonderful sort of self—expression. and then we were being told, well, no, you can't express yourself in that way. and you certainly can't look outside the western canon of art for your personal language. and one examiner apparently, reportedly, said, "give them a 2.2," which is at the lower end of a degree mark. and he said, "they won't mind because they'll soon be in an arranged marriage." yes, well... how did that make you feel? well, angry, of course, because it's one of those cultural presumptions and stereotypes that we've

Course , People , Western-art , Art-forms , Western-canon , Africa , Western-contemporary-art-development , Tahiti , Gauguin , Matisse , Picasso , Japan

The Travel Show

the course we were studying was western art, western contemporary art development. and of course, you know, it's well known that people like matisse and gauguin, picasso, were inspired by art forms outside of the western canon — africa, japan, tahiti. and i think, with our work, what we wanted to do was challenge the hypocrisy of what we were experiencing. because at the same time we were being taught that the be all and end all of being an artist was this, you know, this wonderful sort of self—expression. and then we were being told, well, no, you can't express yourself in that way. and you certainly can't look outside the western canon of art for your personal language. and one examiner apparently, reportedly, said, "give them a 2.2," which is at the lower end of a degree mark. and he said, "they won't mind because they'll soon be in an arranged marriage." yes, well... how did that make you feel? well, angry, of course, because it's one of those cultural presumptions and stereotypes that we've grown up with all our lives, you know, and this expectation...

Course , People , Western-art-history , Art-forms , Western-contemporary-art-development , Matisse , Gauguin , Picasso , Work , Artist , All , Sort

HARDtalk

and of course, you know, it's well known that people like matisse and gauguin, picasso, were inspired by art forms outside of the western canon — africa, japan, tahiti. and i think, with our work, what we wanted to do was challenge the hypocrisy of what we were experiencing. because at the same time we were being taught that the be all and end all of being an artist was this, you know, this wonderful sort of self—expression. and then we were being told, well, no, you can't express yourself in that way. and you certainly can't look outside the western canon of art for your personal language. and one examiner apparently, reportedly, said, "give them a 2:2," which is at the lower end of a degree mark. and he said, "they won't mind because they'll soon be in an arranged marriage." yes, well... how did that make you feel? well, angry, of course, because it's one of those cultural presumptions and stereotypes that we've grown up with all our lives, you know, and this expectation...

Course , People , Art-forms , Western-canon , Africa , Matisse , Tahiti , Japan , Gauguin , Picasso , Work , All

HARDtalk

in this very ancient tradition of indian miniature painting, was really looked down upon by our tutors, and they basically said it was backward and outdated and had no place within contemporary art. and we really set out to challenge that because the course we were studying was western art, western contemporary art development. and of course, you know, it's well known that people like matisse and gauguin, picasso, were inspired by art forms outside of the western canon — africa, japan, tahiti. and i think, with our work, what we wanted to do was challenge the hypocrisy of what we were experiencing. because at the same time we were being taught that the be all and end all of being an artist was this, you know, this wonderful sort of self—expression. and then we were being told, well, no, you can't express yourself in that way. and you certainly can't look outside the western canon of art for your personal language. and one examiner apparently, reportedly, said, "give them a 2.2," which is at the lower end of a degree mark. and he said, "they won't mind

Contemporary-art , Course , Tradition , Place , Indian-miniature-painting , Tutors , Work , People , Western-art , Western-contemporary-art-development , Art-forms , Western-canon

Gauguin - Film (2017)

Gauguin - Film (2017)
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